Áurea Baptista

Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.

In a small town in the countryside in the south of Brazil, a teenager that uses the codename Mr. Tambourine Man spends his time in Internet, at school, smoking pot with his best friend Diego and with his dysfunctional mother. He dreams on leaving his hometown to watch a Bob Dylan's show but seems to be hopeless stranded in the spot.

Porto Alegre innovates once again: it is the first city entirely outsourced to a megacorporation, Fratel. The cutting-edge company's smart management brings technological solutions aimed at bringing more security and efficiency to the city, which serves as a test model for other capitals. Téia and Nanã, however, are left out of all this innovation: elderly, lesbian, and cyclists, they see their freedom and rights increasingly limited by the corporation's interventions. They are left with only two options: adapt or outsmart the system.

A sound technician, in isolation and obsessed with pot-banging protests and the number of COVID-19 deaths, ends up making contact with an ancient entity through a souvenir.

Dario is a psychologist who has recently began taking child patients again, after going through a traumatic experience. His first patient is Sofia, a girl who makes others around her feel disturbing sensations.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.