Sergei Eisenstein

Inventor Chudakov builds a time machine. All that remains is to interest the technical innovation officials and receive authorization to continue the experiment. And it turns out that's the hardest part! The end point in this inventor's struggle will only be set by a "phosphoric woman" arriving from a wonderful future...

A documentary television series of the Nazi-Soviet War, edited from over 3.5 million feet of film taken by Soviet camera crews from the first day of the war, 22 June 1941, to the Soviet entry into Berlin in May 1945.

Following an introduction by Bing Crosby, the Cinerama screen widens for scenes of landscapes, cities, peoples, and entertainments of the Soviet Union. Highlights include the historic buildings and churches of Moscow, as the Kremlin; its subway and streets, a spring carnival, the seaside resorts on the Black Sea, a trip down the Volga River, skiers, a troika racing along a snow-covered road, a helicopter view of the North Pole, an Antarctic whale hunt, the capture of a wild boar in the Moyun-Kum of Central Asia, a race by reindeer-drawn sleds, divers in the Sea of Okhotsk, battling an octopus, the capture of antelopes, rafting logs down the Tisza River, and the development of new towns in Siberia. Other scenes include a visit to the Moscow Circus, where the renowned clown Oleg Popov performs, the dancing of the Moiseyev and Piatnitsky companies, and excerpts from the repertoire of the Bolshoi Theater Ballet.

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

The film tells about the position of Earth in outer space. Modern scientific knowledge is contrasted with ancient ideas about the structure of the world.

About the work of fishing vessels of the Okhotsk expedition.

Documentary essay about the First Moscow International Film Festival, held in August 1959, about its participants and guests - Soviet and foreign actors, directors who came to the film forum.

“The Magic Beam” is a film essay woven together from newsreels and documentary material from different decades, fragments of hundreds of non-fiction and fiction Soviet films of the 1910s-1960s.