Samurai

A series of recordings that Antoine de Saint-Exupéry sent to filmmaker Jean Renoir are the starting point for reconstructing the love affair that the French writer and aviator established with the "Argentine princesses" Edda and Suzzane Fuchs, protagonists of the chapter "Oasis" in his book Tierra de Hombre and inspiration for his masterpiece The Little Prince.

Pedro, the father of the family, overcome with wine, embarks on futile ventures. María, the mother, transformed into an apple farmer, can barely bear her burden. Her teenage children, Bebo and Sole, have the destiny of suburban youth, between mischief and tragedy.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

Lila, a young Korean-Argentinean girl, navigates the contradictions of her identity and tries to find her place in the world. Her father, Antonio, arrives in Latin America 18 years earlier, and decides to bet everything on the promise of a young immigrant's dream.

An old man drivesdriven around town trying to find a wick for his old heater during the long months of the Argentinean winter.

Eva perceives herself differently. An unexpected event transforms her. Her female universe put under tension, sustaining the unsustainable in the family structure. From that night on, everything will be different for her, even if nothing changes.

Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.

Mato Grosso do Sul, Brazil, the present. When a young Guarani-Kaiowá woman commits suicide, Nádio leads his community to form a protest camp on the borders of a local farm that sits on their ancestral burial ground.

Above all, Delfín wants to participate in a Children's Orchestra that is forming in a neighboring city. This trip will mean an adventure for him, and also for his father.

Bego, a housewife in a mid-life crisis, lives bored and afraid of being inconsequential, however, her life evolves into a mysterious game once she enters into a cult that preaches three days of darkness...

In a Buenos Aires movie theater, a group of strangers is trapped during a violent confrontation in the streets. While chaos reigns outside, fears, ideals, and secrets surface inside, and each person must face who they really are.

Candela is a knife thrower in the town but an accident forces her to leave but behind it appears a bet with a surprising ending.

In a small street in Brussels there is an unusual concentration of pianists: on one side, the house of Martha Argerich; on the other, that of the Tiempo-Lechners, four generations of pianistic prodigies. At just fourteen years old, Natasha Binder is the heir to a dynasty, her last great promise.

The closed community of a private neighborhood of high-priced houses, is moved by the discovery of three corpses that appear floating in a pool and rushes to frame it as an accident.