Delfín

A series of recordings that Antoine de Saint-Exupéry sent to filmmaker Jean Renoir are the starting point for reconstructing the love affair that the French writer and aviator established with the "Argentine princesses" Edda and Suzzane Fuchs, protagonists of the chapter "Oasis" in his book Tierra de Hombre and inspiration for his masterpiece The Little Prince.

Argentine filmmaker Andrés Habegger embarks on a deeply personal journey in this documentary, seeking to recover memories and information about his father, Norberto Habegger, a journalist and Montonero activist who disappeared in Brazil in 1978 during a joint operation between the Argentine and Brazilian military. Traveling to places that were part of his life and revisiting old photos and his childhood diaries, the director fills in the gaps in a family history that was interrupted.

Negro is a dark film that portrays the light of its protagonist, Ortega, a meatpacking worker who finds in boxing the means to rebel against his boss's subservience. Ortega faces his last fight, the most important one, the one of honor, the one of life.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

Lila, a young Korean-Argentinean girl, navigates the contradictions of her identity and tries to find her place in the world. Her father, Antonio, arrives in Latin America 18 years earlier, and decides to bet everything on the promise of a young immigrant's dream.

A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.

An old man drivesdriven around town trying to find a wick for his old heater during the long months of the Argentinean winter.

Eva perceives herself differently. An unexpected event transforms her. Her female universe put under tension, sustaining the unsustainable in the family structure. From that night on, everything will be different for her, even if nothing changes.

Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.

Candela is a knife thrower in the town but an accident forces her to leave but behind it appears a bet with a surprising ending.

Bego, a housewife in a mid-life crisis, lives bored and afraid of being inconsequential, however, her life evolves into a mysterious game once she enters into a cult that preaches three days of darkness...

Argentinian sisters Elena and Natalia, who were separated, meet again in Texas in 1984.

In a small street in Brussels there is an unusual concentration of pianists: on one side, the house of Martha Argerich; on the other, that of the Tiempo-Lechners, four generations of pianistic prodigies. At just fourteen years old, Natasha Binder is the heir to a dynasty, her last great promise.

With her girlfriend lying comatose in the hospital, after having found her lifeless body in the bathtub, Clara starts the path of physical and psychological transformation with the goal of possessing her girlfriend again in some way.