Agustina Muñoz

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

Yvan De Wiel, a private banker from Geneva, is going to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumors, who disappeared overnight. Between hushed lounges, swimming pools, and gardens under surveillance, a remote duel takes place between two bankers who, despite different methods, are the accomplices of a discreet and merciless form of colonization.

As her Parkinson's disease progresses, a woman leads a relentless investigation into finding those responsible for the sudden death of her daughter.

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.

An actress goes to Azores to take part in the theatrical tour of The Tempest and on her arrival she finds no one from the company, there is not even a theatre. After meeting Ariel, the actress discovers that the play has already started, the whole island is a theatre and its inhabitants are characters.

Who is Sycorax? The first character in Shakespeare's "Tempest" to set foot on the island. The problem is that she has no voice. She is barely mentioned by Prospero as a crooked, old, wicked witch who vilely locked Ariel, the spirit of the air, in a tree. But why would she do that? Here, we wouldn't believe Prospero so much.

Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.

Deep in the Argentine outback, a land of makeshift houses and industrial detritus, lives a poor young woman who can heal sick pets and exorcise demons. Or is she actually a victim of her own demons?

Drama about a man who is supposed to kill his daughter.

A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.

A young man, on his way to a factory to assess its efficiency, causes a car crash. The factory owner, who ran the business with his wife and her brother, has been killed in an accident, though whether it’s the same accident is left unclear. The film explores the unforeseeable ramifications of the twin tragedies.

It chronicles a few hours in the life of a family living on the southern coast of Buenos Aires. After breakfast, a father (Guillermo Arengo) heads off with his son (Agustín Alcoba) to a desolate beach for the day, while his wife (Roxana Berco) visits her seriously ill mother (Susana Campos) in a remote, wooded area.

As the day begins, a woman sets out to go about her routine, until she decides to take her children to the cemetery to see zombies. When she returns home, this interruption in her day will leave her with a strange and magical feeling.

A Japanese immigrant (Nicolas Nakayama) and a war veteran (Alejandro Awada) search for an exiled samurai in the mountains of Argentina.

A boy is faced with a difficult decision when his father insists on taking him hunting

An adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire.

Since their parents split up, Sara and her younger sister live with their mother, whose new partner is a woman. Everyday life for the four of them is hardly any different than it is for other families. But not everyone sees it that way – Sara's father in particular has his doubts. As Sara’s 13th birthday approaches, she feels rather overwhelmed: her first crush, a body in the midst of changes and to top it off, conflicts over loyalty with her parents.

Caterina was born in South America but lives in New York. Her willingness to make close emotional connections to others is as much of a burden as it is a gift.

Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

A woman who will die soon tells her three children that she wants to do so with as little intervention as possible. They don't know how much of that desire they will be able to fulfill. Accompanying her in her decision makes them confront the way in which our civilization conceives death. Taking charge of preparing this farewell while their mother is still alive will be a mysterious and revealing way to be together.

A group of actors retire to an island in Tigre to rehearse William Shakespeare’s As You Like It and suddenly Luisa, who is playing Rosalinda, makes a bad decision.