Dada 62

“ONAN is a work about desire (masturbation) which has no object but itself. The appearance of the large egg objectifies the man's desires. After colliding with the other (a girl), the hero falls down while still holding the egg, thus caricaturing the desire of the hero.” —Takahiko Iimura (takaiimura.com)

"10 minutes of the act of creation itself run through close up and magnifying lenses. " -T.I.

Cameras observing each other.

On John's 31st birthday, Yoko held an art exhibit, "This Is Not Here", at the Everson Museum of Art in Syracuse, N.Y.. The show was taped and aired on U.S. TV on May 11, 1972 as "John and Yoko in Syracuse, New York.

A super-real comedy with Sho Kazakura. The film is divided in to a number of very short scenes or chapters, each with a title "A,B,C" at random. we see him lame in a crowd, see him running up stairs, see him absolutely naked, watch him urinate, etc. An anthology of discontinuous happenings and events.

"The original film was rescued from a Tokyo trash bin. It is an American sexual education film in which plant and animal sex are explained. I, together with an artist friend, Natsuyuki Nakanishi, punched big holes in almost all of the frames. It was a protest against Japanese censorship of explicit images of sex, particularly pubic hair which the censors would cover with black marks. I inserted a few subliminal frames of pornographic imagery from magazines several times throughout the film. At the end, I even punched holes in these subliminal pictures, thereby 'censoring' the censored image." — Takahiko Iimura

Film installation by Japanese experimental filmmaker Takahiko Iimura.

From the collector of Marquis de Sade in the early 1960s, still a 'dark age ' of erotic picture, even his novels were forbidden to publish in Tokyo, I burrowed the copies of the engraving taken from the 18th century edition of "The story of Juliette" and of "The story of Justine." and rearranged along a story made from of the pictures not from the novels. An exercise out of the curiosity. It was the same year I made Ai (Love) in 1962 which consists of mostly extreme close-ups of love making. I have kept DeSade for many years in my closet without looking at it myself and have forgotten about it. By a chance I re-found the film 50 years later that there is something worth to see. (T.I, 2012)

Experimental film involving letters.

"The Making..." showed not only the process of film-making, but also the creation of "MA" as a work.

Home movies shot on Super 8mm by W+B Hein over 10 years.

Originally filmed in 8mm a little stone-made Buddha in a temple of Katmandu, the film strip in ten seconds was projected as a loop, and then the screen w as refilmed many times in 16mm at different speeds (frames per second). The original 8mm footage has been greatly expanded through refilming in 16mm. The rhythmic manipulation of "flying Buddha" in the air is realized.

A touching portrait of his partner Akiko and the days following their wedding, Iimura's conceptual rigour loosens in favour of intimacy in Honey Moon. (Julian Ross)

'What I am concerned with in this film is not only the flicker effect, but also the coming and going of an eye-like shape on screen which was created by a fade-in-out device while shooting the light/the bulb of the projector. The viewer literally looks into the light which acts like an eye.'(T.I.)

One of the earliest minimalist video with flicker effects was produced in Tokyo in early 1970s. A flickering video with eyes, which super-impose the positive over the negative, open and close rapidly. At the same time the "blind" effects of video fast-forwarding accelerates/decelerates the picture synchronized with the sound.

Short film for the "A Commercial for Myself" programme.