Make Up

The beautician Angela Bell, a well-off middle-aged lady, and the respected fashion doctor Prof. Christian Hollmann would like to get married, but there is a catch: Hollmann is still married to his somewhat annoying wife Margot. Angela, however, has to get married as soon as possible because as a foreigner she will lose her work permit if she does not become a German citizen soon. The couple then come up with the idea of ​​​​marrying Angela to the German bachelor Jonny Pitter, a writer - a sham marriage with no dishonorable consequences, of course. What neither Angela nor Prof. Hollmann suspect is that Jonny has been in love with Angela for some time

Two husbands claim to be Freemasons so they can go out at night. Where do they go, if not to the lodge, the Masonic lodge? In reality, one goes to visit a pretty and particularly welcoming concierge in his dressing room, and the other spends his evenings in the dressing room of a little music-hall actress.

At the English court, at the beginning of the 18th century, Lady Henriett fell in love with a farmer, Lionel, who, following a mistake, believes her to be his servant. By learning his quality, Lionel refuses to receive the one he already considered his fiancée. The queen herself will appease this lover's quarrel and, moreover, will free the peasants of his kingdom.

The son of a rich soap manufacturer gets himself in predicaments trying to prove to his father that he's responsible enough for marriage.

Polly Petterson is a major customer of the Van Geldern bank, which manages her assets to the tune of one million. When she wants to withdraw the entire amount, the bank, which has speculated, threatens to go bankrupt. The employee Peter Voss then steals the million as a pretense and flees. By agreement, he is to hide until the price of the copper he invested in rises again. Polly hires detective Bobby Dodd and follows the apparent bank robber to Portugal, Brazil, the Wild West and Hawaii. There, Peter Voss is able to convince the rich Polly of his good intentions - and when the bank is saved, there is even a wedding.

Against her father’s wishes, the ringmaster Wallner, Helga forms a connection with the wild animal trainer Peter. After he is almost killed during an appearance, he promises his mistress, that he’ll never work with wild animals again. From that point on, he works with Helga on safe horse numbers. When Helga finds out from Peter’s friend Otto, that Peter would rather work with wild animals again, she doesn’t want to stand in the way of her beloved’s dreams. Helga disappears and leaves Otto enough money to buy Peter a new group of lions. For a long time, Peter and Helga do not see one another, though neither can forget the other. When Helga hears from Otto one day, that Peter is practicing a very dangerous number involving wild animals, during which Otto is to play the “lead”, Helga makes a fatal decision, so she might see Peter again.

Cabissol, the Mayor of Martigues, a town in the South of France, wishes to organize a bullfight as part of the coming festivities. But that is not counting on Escopette, an opponent of bullfighting, who kidnaps the bulls. What further complicates things is that the appointed bullfighter, Chico de Granada, takes the French leave with Violette, one of Cabissol's daughters. As a measure of retaliation, Cabissol decides to force Escopette to replace Chico in the arena. Fortunately, Rémy, the head herdsman, comes to his rescue. Finally, everything goes well and Cabissol is so happy that he gives Rémy the hand of Marguerite, his other daughter.

A man creates a national scandal after he mistakenly kisses the wrong woman in a darkened cinema. The following year it was remade as an American comedy One Rainy Afternoon, released by United Artists.

Based on the short story "Der Fall des Generalstabschefs Redl" by Egon Erwin Kisch. Alfred Redl, a colonel on the Austrian General Staff, leads an extravagant private life. No one suspects that in reality he is passing information to Russian spies. Alternate-language version of "Aféra plukovníka Rédla" (1931).

The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.

Ten years ago, the "Andree case" was seemingly solved. Now criminal investigator Husfeld is to reopen it, as doubts have arisen about the guilt of Helga Andree, who was convicted at the time. She is said to have pushed her former rival, the singer Elinor Gyldenborg, off the roof garden and killed her. Husfeld seeks advice from his friend, the writer Volkmar Hollberg. He turns the case into a radio play, which is broadcast on the radio under the title The Jump from the Roof Garden. The broadcast brings back memories of the night of the crime for those present at the time...

A maniac is loose in London, decapitating his victims and sending the heads to Scotland Yard.

The tale of the Venetian gondolier whose desire for revenge following a thwarted love affair leads him to Bohemia. The intricate plot also deals with destinies of other characters, who finally come together in a dramatic encounter at one time and in one place. In his role as screenwriter and director, Anton produced a highly accomplished version of Mácha’s work. He respected the original but was also able, along with the DoP Karel Kopřiva, to capitalise on the possibilities that the film medium offered. For the Venice prologue, the filmmakers exploited the photogenic qualities of the city – the narrow streets, the lagoons, gondolas and the sea – and they moved the set to the enigmatic Czech landscape around the castle of Kokořín.