Henri Vilbert

A traveller is stuck in an unknown town because his connecting train will only arrive in six hours. He decides to kill time by taking a stroll. He is not prepared to get confused with somebody else. In fact the citizens are eagerly awaiting the visit of a famous man and the clueless traveller is his doppelgänger. Soon he experiences what that means.

The finding of a wallet with a lot of money is the common theme of four stories, featuring a shoeshine from Seville, a clerk from Salamanca, a bullfighter from Cuenca and a newspapers seller from Paris.

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

After thirteen years in Germany, Fernand is coming back to his wife and his restaurant. But since his disparition, his wife as made her life with a norman chef, sympathetic but a specialist of butter's cooking when Fernand cook only with oil!

Port of Marseille, France, recently liberated from the German yoke. Caught as stowaways aboard a ship, Manon, a young woman who was accused of collaborating with the Nazis, and Robert, a freedom fighter who saved her from reprisals, tell the captain about the many challenges they have had to face in order to survive.

The film consists of seven roughly 15 minute episodes, each showing what will happen if one or more of the Ten Commandments will be broken: Jérome Chambard is warned that he will lose his job if he continues to swear; Françoise Beaufort enamored of a stripper calls on her only to find her married to a janitor who doesn't know what kind of dancing his wife performs; Denis, a Jesuit novice, leaves the order to avenge his sister's suicide, which was provoked by Garigny, who seduced her into prostitution and drug addiction; Philip buys a necklace for Micheline though he is bored with her; a young man find out that his real mother is not Madeleine, but actress Clarisse Ardant; Didier Marin, cashier of a bank, was fired by his boss; the Devil appears as a serpent for Jérome Chambard and the bishop are eating.

A lord’s servant, Ali Baba, is sent to retrieve a slave for his master, but ends up on an adventure filled with gold, mischief, love, and forty famous thieves instead.

For more than 15 years, two Marseille friends and criminals battle the law, rival gangs, prison authorities and even mined beaches in order to survive.

A detective investigates a murder and gets caught up in spy shenanigans.

An average worker who feels downtrodden at work and home, dreams of becoming a dictator. His aunt has her own fantasy that the love-of-her-life, a fairground magician, will return to her once more.

Paris, France. Commissaire Wens follows the lead of a ruthless murderer to an unexpected place.

Two unemployed musicians dress up as women to be hired by an all-female orchestra called "Tulips from Holland"; they fall in love with two gorgeous musicians.

Three young men are suspected of kidnapping and murdering a little boy. Most likely, two of them are really involved, but one is not. All of their pasts are questionable, riddled with violence and controversy. Neither the police nor the court can decide how to solve that puzzle.

Jealous of his widowed mother's new lover, a boy does everything to separate them. Then, after he realizes their profound feelings for each other, he tries to reunite them.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Young, handsome, dashing but cynical, Octave Mouret arrives in Paris, determined to conquer the belles of the capital.

The late Toupinel, a merry fellow, kept a legitimate wife in Paris, and a mistress who passed for his wife in the provinces. When he died, the two widows remarried. A former lover of the mistress comes to confuse everything because he is the real widow's friend.

Cecile, a young girl who goes to the offices of the Judicial Police several times in a row to complain about nightly visits to the apartment she occupies with her aunt, is not taken seriously by the police until she the day she is found murdered.

Misfortunes and disarray of the little clown Leroy who is upstaged by a comrade, Bertini, and sees himself abandoned by his girlfriend Ginette, preferring his collaborator to him.

A struggling artist buys a talisman that gives him love, fame and wealth. The talisman is a severed left hand, and it works perfectly, in fact, magically. But of course there is nothing free in this world, and after one year the devil comes and asks for his due.

In the south of France, the body of a 22-year-old American tourist, Candice Strasberg, is discovered in the middle of the scrubland. Two days of rain prior to the discovery of the body made it difficult to collect evidence at the scene, as the rain had washed away the footprints. Using the victim’s diary, the police are attempting to piece together her movements. The investigation is entrusted to Gaston Delarue, the public prosecutor of Tarascon; Gérard Souffries, the investigating judge; Commissioner Bonetti of the Marseille police; and Divisional Commissioner Bretonnet of the Paris police. Among the six suspects is Bernard Vauquier, the son of the President of the Senate. The investigation proves to be as complicated as it is sensitive. But who murdered or killed Candice Strasberg? Screenplay adapted from ‘La Pieuvre’, a novel by Paul Andreota, published in 1970.

Biography and apology of the famous pilot, nicknamed by some the Archangel, who organized the airmail network of South America, flew the first over the Andes Cordillera, maintained the mystique of the South Atlantic, militated in the Crosses of Fire and perished at the controls of "La Croix du Sud" during its twenty-fourth crossing.

In August 1952, a family of British tourists is found by the roadside in Haute Provence, brutally murdered. In the ensuing, very public, investigation a local landowner, 75 year old Gaston Dominici, is arrested for the murders, having been denounced by his sons. Under police interrogation, Dominici confesses to have killed the family and it looks certain that he will be charged, tried and sentenced to death. But then the case begins to collapse. The old man retracts his confession and the lack of evidence against him becomes apparent…

Les Cinq Dernieres Minutes is a crime based French television series

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.