Die Sache mit Styx

At the start of the 18th century, British Queen Anne, inspired by her German born lady in waiting, emancipates the country's farmers and peasants.

When a significant quantity of valuable gemstones is to be transported to South America by plane, those responsible are naturally extremely nervous. Everything must be perfectly planned, every possible risk averted.

In 1917, a French deserter entered the service of German counterintelligence, but Villard (number 33) was a real French spy. Discovered, he is saved by a German spy who betrays her country for love.

The beautician Angela Bell, a well-off middle-aged lady, and the respected fashion doctor Prof. Christian Hollmann would like to get married, but there is a catch: Hollmann is still married to his somewhat annoying wife Margot. Angela, however, has to get married as soon as possible because as a foreigner she will lose her work permit if she does not become a German citizen soon. The couple then come up with the idea of ​​​​marrying Angela to the German bachelor Jonny Pitter, a writer - a sham marriage with no dishonorable consequences, of course. What neither Angela nor Prof. Hollmann suspect is that Jonny has been in love with Angela for some time

At the English court, at the beginning of the 18th century, Lady Henriett fell in love with a farmer, Lionel, who, following a mistake, believes her to be his servant. By learning his quality, Lionel refuses to receive the one he already considered his fiancée. The queen herself will appease this lover's quarrel and, moreover, will free the peasants of his kingdom.

Misfortunes and disarray of the little clown Leroy who is upstaged by a comrade, Bertini, and sees himself abandoned by his girlfriend Ginette, preferring his collaborator to him.

Based on the short story "Der Fall des Generalstabschefs Redl" by Egon Erwin Kisch. Alfred Redl, a colonel on the Austrian General Staff, leads an extravagant private life. No one suspects that in reality he is passing information to Russian spies. Alternate-language version of "Aféra plukovníka Rédla" (1931).

Cabissol, the Mayor of Martigues, a town in the South of France, wishes to organize a bullfight as part of the coming festivities. But that is not counting on Escopette, an opponent of bullfighting, who kidnaps the bulls. What further complicates things is that the appointed bullfighter, Chico de Granada, takes the French leave with Violette, one of Cabissol's daughters. As a measure of retaliation, Cabissol decides to force Escopette to replace Chico in the arena. Fortunately, Rémy, the head herdsman, comes to his rescue. Finally, everything goes well and Cabissol is so happy that he gives Rémy the hand of Marguerite, his other daughter.

A man creates a national scandal after he mistakenly kisses the wrong woman in a darkened cinema. The following year it was remade as an American comedy One Rainy Afternoon, released by United Artists.

An anti-British propaganda film from Nazi Germany which depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War.

Ten years ago, the "Andree case" was seemingly solved. Now criminal investigator Husfeld is to reopen it, as doubts have arisen about the guilt of Helga Andree, who was convicted at the time. She is said to have pushed her former rival, the singer Elinor Gyldenborg, off the roof garden and killed her. Husfeld seeks advice from his friend, the writer Volkmar Hollberg. He turns the case into a radio play, which is broadcast on the radio under the title The Jump from the Roof Garden. The broadcast brings back memories of the night of the crime for those present at the time...

The case of Colonel Redl -- an officer blackmailed into spying by virtue of his homosexuality. Alternate-language version of "Der Fall des Generalstabs-Oberst Redl" (1931)

The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.

A maniac is loose in London, decapitating his victims and sending the heads to Scotland Yard.

The tale of the Venetian gondolier whose desire for revenge following a thwarted love affair leads him to Bohemia. The intricate plot also deals with destinies of other characters, who finally come together in a dramatic encounter at one time and in one place. In his role as screenwriter and director, Anton produced a highly accomplished version of Mácha’s work. He respected the original but was also able, along with the DoP Karel Kopřiva, to capitalise on the possibilities that the film medium offered. For the Venice prologue, the filmmakers exploited the photogenic qualities of the city – the narrow streets, the lagoons, gondolas and the sea – and they moved the set to the enigmatic Czech landscape around the castle of Kokořín.