Roger the Disgrace

Sylvio, a successful singer, has found a way to take a peaceful vacation, safe from his female adulators: to travel incognito. He puts up at an old castle whose landlord, Count Fabrice, a ruined nobleman, seeks a hidden treasure. Posing as the nephew of the castle gardener, Sylvio enjoys happy days and even finds the time to fall in love with Gracieuse, the count's daughter. Unfortunately for him, his impresario ends up locating him...

Three young men are suspected of kidnapping and murdering a little boy. Most likely, two of them are really involved, but one is not. All of their pasts are questionable, riddled with violence and controversy. Neither the police nor the court can decide how to solve that puzzle.

A teenage girl accuses her primary schoolteacher, Jean Doucet (Jacques Brel), of trying to rape her. The police and the mayor investigate, but Doucet denies the charges. Two other students come forward to reveal more of Doucet's misconduct – one confessing to be his mistress. Doucet faces trial and hard labor if convicted.

A young woman searches for her biologist lover who disappeared after an Indian scientist made a discovery that could endanger humanity.

A married tugboat captain falls for a woman he rescues from a sinking ship.

Rose Morgan, who still lives with her mother, is a professor of Romantic Literature who desperately longs for passion in her life. Gregory Larkin, a mathematics professor, has been burned by passionate relationships and longs for a sexless union based on friendship and respect.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

After her daughter is kidnapped, a mother discovers that there can be something even worse after "the worst."

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

In France in 1946, the difficult return to civilian life of five deportees and prisoners of war after having lived through the hell of the Second World War.

A desperate woman, whose son is on trial for murder, blackmails the judge and kidnaps his wife.

A love story between a teacher, Danièle, 32 years and one of her students Gérard, 17 during the heated atmosphere of May 68. Danièle is a fiery young woman, very involved politically. Gérard's parents accuse Danièle of statutory rape and complain. Danièle is trapped and the drama begins...

Caprices tells the story of two young rich people. A famous actress poses as a poor florist, and a distinguished society man camouflages himself as forger and swindler. This game leads them to make close relations in a series of adventures.

A teacher runs an ad in the newspaper to find a wife. Afraid of beautiful ladies, he weds an ugly woman. After a car accident, he meets a doctor who offers to reveal his wife's beauty.

In the 1950s, in a small provincial town, a young inexperienced judge clashes with an influential notable during an investigation into a suspicious death. His perseverance to get to the truth will cause a huge scandal.

Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.