Tomorrow Is My Turn

Sylvio, a successful singer, has found a way to take a peaceful vacation, safe from his female adulators: to travel incognito. He puts up at an old castle whose landlord, Count Fabrice, a ruined nobleman, seeks a hidden treasure. Posing as the nephew of the castle gardener, Sylvio enjoys happy days and even finds the time to fall in love with Gracieuse, the count's daughter. Unfortunately for him, his impresario ends up locating him...

1938, France, Paris, at the Superior Conservatory of Dramatic Art ("Conservatoire Supérieur d'Art Dramatique"). The first-year entrance exams are in full swing. Many applicants, few accepted. Isabelle (Janine Darcey) is one of the few chosen. She joins former students from the second and third years, including François (Claude Dauphin) and Cécilia (Odette Joyeux). They attend the drama class run by Professor Lambertin (Louis Jouvet). The young people, passionate and eager to become comedians, clash in tumultuous love affairs, because by dint of acting, they imagine that life is a farce. François, for example, is in love with Isabelle, who also loves him, but is pursued by Cecilia, his former mistress... "Put art in your life and life in your art!"

Three young men are suspected of kidnapping and murdering a little boy. Most likely, two of them are really involved, but one is not. All of their pasts are questionable, riddled with violence and controversy. Neither the police nor the court can decide how to solve that puzzle.

A teenage girl accuses her primary schoolteacher, Jean Doucet (Jacques Brel), of trying to rape her. The police and the mayor investigate, but Doucet denies the charges. Two other students come forward to reveal more of Doucet's misconduct – one confessing to be his mistress. Doucet faces trial and hard labor if convicted.

Based on the short story by Georges Simenon. Annoying Annette is bent on seducing Maurice, a handsome lawyer who has his eye on a haughty American Myriam who is running after bashful Bernard. The story takes place in hotels, prisons, and music-making apartments in Cannes.

A young woman searches for her biologist lover who disappeared after an Indian scientist made a discovery that could endanger humanity.

Architect Dumas dies from a bullet of his own gun in front of his house. The police suspect his young Swedish wife Catherine and her English lover Tom Hastings. After numerous interrogations, in which they entangle themselves in contradictions, they try to flee, but are soon both caught and brought to trial, he in England, she in France. Only when Catherine keeps on proclaiming her innocence, superintendent Corbier finally considers believing her.

A married tugboat captain falls for a woman he rescues from a sinking ship.

Rose Morgan, who still lives with her mother, is a professor of Romantic Literature who desperately longs for passion in her life. Gregory Larkin, a mathematics professor, has been burned by passionate relationships and longs for a sexless union based on friendship and respect.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

Alice, an unhappy young woman in the household, is the mother of a little boy, Pierre. She falls in love with a young doctor and plans to run away with him and his son. Finally, not considering the right to deprive Pierre of his father, she gives up. Twenty years pass, Pierre has grown up, he suspects his little brother, Jean, of just being his half-brother. His suspicions gnaw at him, his mother confesses to him her past fault. Faced with this confession, Pierre will abandon the one who sacrificed her life for him.

A desperate woman, whose son is on trial for murder, blackmails the judge and kidnaps his wife.

In France in 1946, the difficult return to civilian life of five deportees and prisoners of war after having lived through the hell of the Second World War.

A love story between a teacher, Danièle, 32 years and one of her students Gérard, 17 during the heated atmosphere of May 68. Danièle is a fiery young woman, very involved politically. Gérard's parents accuse Danièle of statutory rape and complain. Danièle is trapped and the drama begins...

A teacher runs an ad in the newspaper to find a wife. Afraid of beautiful ladies, he weds an ugly woman. After a car accident, he meets a doctor who offers to reveal his wife's beauty.