Léonce Corne

After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.

Suppose lost and found objects could talk... But they can! At least four of them... : -A statuette of Osiris remembers how two ex-lovers, a model and a good for nothing who claimed to be an Egyptologist, met again one Christmas Eve. -A violin has things to say about Raoul, a humble policeman who lost Solange, a widowed grocer he loved, to a god-dam seducing busker also named Raoul. -A scarf was witness to an eerie romance between a young madman and girl he had saved from suicide. -A funeral wreath lets us know how it caused a young woman to believe her lover dead. After having told their respective story, the objects return to their customary stillness.

The story takes place in the racecourses around Paris. A so-called major sells his tips to naive characters.

In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, making audacious robberies of the rich people, and even distributing the takings with the poor. Thus, cartouche attracts the people's sympathies, Venus's love, and hate from the Police and Malichot... Cartouche can escape all the traps they set at him - except the entrapments of love. Eventually, he will be saved by a woman, at her own cost.

A married tugboat captain falls for a woman he rescues from a sinking ship.

In Paris in 1887, Irène works as a governess to Douce, the grand-daughter of the dowager Countess de Bonafé. Douce believes she is in love with Fabien, the handsome manager of the estate. However she cannot hope to marry him because of their class difference. Douce's widowed father, the Count de Bonafé, has a wooden leg, and is infatuated with Irène. Douce discovers that Fabien is planning to flee to Quebec with Irène, and also finds out that the Count has asked Irène to marry him. So Douce tells Fabien this and convinces him to run away with her, causing consternation in the family.

Edmond Dantès, who was active in the resistance against the Nazis, is accused for being a Nazi collaborator and is imprisoned in the fortress of Sisteron.

Pétepan learns that his money has been lost by Robinhoude brothers.He asks his assistants to withdraw his amount from the bank.

Her father having served a prison sentence, there is unending gossiping about Therese's family. Unable to put up with it any longer, the young woman leaves her native village for the canton of Bern where she manages to be hired by Anton Muller, a wealthy, authoritarian farmer. Under the young woman's spell, Anton wants to make his servant his mistress but Thérèse refuses energetically.. Later on, she nevertheless accepts to marry Anton. On the wedding day, she meets Gottfried, her bridegroom's son, and they instantly fall passionately in love with each other.

In a lost village in Lapland, Gérard comes to the aid of his friend Anders, in conflict with his father, a rich owner of gold mines.

Former student Raskolnikov is pushed to murder when struggling to pay the rent on his apartment. When the murder is being investigated by the police, Raskolnikov struggles between trying to hide his guilt and the pressure to confess.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

The film recounts the life of a young member of parliament who joins the Freemasons in order to relaunch his career. He thus learns of how the Freemasons are conspiring with the Jews and the Anglo-American nations to encourage France into a war against Germany.

At the urging of her childhood friend Brémontier, Lucie de Kéradec, a wealthy widowed countess who wishes to remarry, invites all of her seven suitors to her mansion. Her untold intention is to test them by claiming to be ruined. The experience is a success in that each of the potential husbands reveals his inner nature but a failure when it comes to finding a new life partner. None of the guests passes the test except - the eighth man, namely Brémontier who loved Lucie in secret but, being penniless, had not dared declare his flame to her.

Having lost his memory due to serving in World War I, Gaston has spent the past 15 years in a psychiatric hospital. Due to his large disability pension fund, several families claim him as their missing son. Gaston is introduced to the Renaud family by the Duchess Dupont-Dufort and her lawyer. The Renaud family attempt to revive Gaston's memory with stories of his past, but he is apalled by some of the things he hears and dislikes the man he is supposed to be.

The old Valmorin died 200 years ago. The notary tells the family about the inheritance: the one who is terminally ill will receive the money. They all try their luck with getting ill before the other so one family member pretends to be deaf, another pretends to have a terrible back ache and so on...

A group of French filmmakers travel to Andalucia for film a movie titled" Beauty of Cadiz". It stars are Carlos, a famous heartthrob, and an unknown gypsy named Maria-Luisa.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

Alexandre, a young and honest farmer, is oppressed by an authoritarian wife, who makes him work like a dog. When she dies in a car crash, he decides to stay in bed, absolutely free and inactive. Just a dog is occupied to carry food and newspapers to him.

Sentenced to 20 years after killing a colleague for revealing that his wife was unfaithful, Sourdier escapes hoping to kill the woman as well.He learns she was true to him and has had a little girl who thinks the father is dead.

The story of a notorious French criminal gang of the 1910s.

A provincial ingenue leaves her mother’s tobacco shop with dreams of a life in the Parisian theater, only to become entangled in relationships with a lecherous aristocrat, his starry-eyed nephew, and an old ham actor.

A young reporter solves a mystery crime. The fictional reporter is Joseph Rouletabille. He works on a complex, and seemingly impossible, crime in which the criminal appears to disappear from a locked room.

Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.

A survivor of the Spanish Civil War who had been in French internment camps takes refuge with a family of winegrowers in the Jura. He becomes attached to this land that is not his own.