Our Old Car

Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, Thao Lor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.

Brothers Keiji and Ryoichi move to a new neighborhood in the Tokyo suburbs after their father, an office clerk, is promoted. The boys join the local gang as lowly new kids and emerge as natural leaders after defeating a bully. While visiting the home of their father's boss, the brothers witness the ridicule their father endures to please his superior. Angry and embarrassed, the boys find their naive ideas about power being challenged.

Two boys beg their parents for a television set, nagging them until all patience is lost. The parents order the boys to be quiet and the boys do exactly that--refusing to utter a word. The boys' silence ultimately puts the whole neighborhood into turmoil.

Mario and Clara, his pregnant girlfriend, try to find a new apartment to settle in as soon as possible, so they go to visit one in a distant neighborhood that seems abandoned. Once there, things are not as they expected.

Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

Residents of an enclosed neighborhood in the middle of Mexico DF are shocked by a violent crime, and for one resident in particular, young Alejandro, the drama is ratcheted up when he encounters the lone kid who escaped the event and is hiding out within the neighborhood's borders.

Overweight loner Rino spends his days in seclusion, until his dad rents a room to an overtly sexual girl who challenges Rino to break down his walls.

Bright young student Raymond Aibelli is forced to sidetrack an important medical internship because his mother, Susan, is recovering from a broken leg. When he isn't tasked with the most mundane aspects of Susan's recuperation, Raymond finds distraction in a neighborhood girl, Toni Peck. But, as Susan begins relying on her son for both physical and emotional needs, Raymond starts developing disturbing and unwanted new yearnings.

Mysterious events lead an increasingly paranoid architect to believe a stranger is lurking in his large house.