To Let

A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.

César, an unhappy concierge, maintains a peculiar relationship with the very diverse inhabitants of the upper-class apartment building where he works in Barcelona.

Madrid, Spain, 2010. While the whole city follows the national team's successful participation in the World Cup, a group of daring thieves look for a way into one of the most secure and guarded places on the planet.

The action continues from [REC], with the medical officer and a SWAT team outfitted with video cameras are sent into the sealed off apartment to control the situation.

Haunted by memories of a patient's death, a nurse takes a job at an antiquated hospital for children. Soon she learns that the kids fear a ghost that prowls the floors and will not allow anyone to leave. Amy tries to protect them and convince the other staffers of the evil that lurks there.

Lucía, a club dancer on the run, takes refuge in a sinister building on the outskirts of Madrid where her sister Rocío lives with her daughter Alba.

Suddenly, Clara, Mónica's daughter, falls into a deep coma. With Clara left to die, a mysterious man proposes Monica to make a pact: Clara will be saved if Mónica does something for him.

Samuel Salomon, a literature professor, has been off work for almost a year after the tragic death of his girlfriend. Samuel has been suffering from a recurring nightmare in which a woman is brutally murdered in a strange ritual. Suddenly, the same woman who appears every night in his dreams is found dead in exactly the same circumstances. Samuel sneaks into the crime scene and there he meets Rachel who has also dreamed about the murder. Together, they will do whatever they can to discover the identity of the mystery woman, entering a terrifying world controlled by the figures who have inspired artists throughout time: the Muses.

The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.

A television reporter and her cameraman are trapped inside a building quarantined by the CDC after the outbreak of a mysterious virus which turns humans into bloodthirsty killers.

Years ago, a cruel and merciless nun turned a boarding school into a living hell for her students until they could no longer bear the abuse, and she mysteriously disappeared. Now the alumnae are being brutally murdered one by one.

The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before 'they' kill her. Other mysterious clues show up, further indicating that Claudia's daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela's whereabouts

A teenage girl moves into a remote country home with her family, only to discover that the gloomy old house has a horrifying past that threatens to destroy them.

Ángela Vidal, the young television reporter who entered the building with the firemen, manages to make it out alive. But what the soldiers don't know is that she carries the seed of the strange infection. She is to be taken to a provisional quarantine facility, a high-security installation where she will have to stay in isolation for several days. An old oil tanker, miles off shore and surrounded by water on all sides, has been especially equipped for the quarantine.