27: The Cursed Club

"La H" is a documentary about the social phenomenon that implied, after the separation of V8, the appearance of the legendary Argentine heavy metal band Hermética, at the end of the 80s, with committed lyrics that reflected the harsh reality that was lived in the streets and a message of resistance.

A frustrated jazz trumpeter rehearsing for an audition accidentally awakens an invisible ghost with the power to manipulate sound. The ghost promises to turn him into a virtuoso in exchange for his help unearthing an ancient treasure buried deep in the mountains. But what begins as a great deal soon becomes a dangerous adventure leading toward a dark secret.

Short film written and directed by Hernán Sáez in 1999.

Gore short film directed by Hernán Sáez and starring Paulo Soria from FARSA Producciones.

A retired general and his son meet six crazy young men while on a fishing trip.

Malena, a woman who divides her life between two jobs: by night she's a dancer in a cabaret and by day she answers a "Hot Line," an erotic telephone line. However, her routine turns into a nightmare when a serial killer begins calling her, recounting his crimes in chilling detail and announcing that she will be his next victim. This is a clear homage to the Italian Giallo.HoH

With decades of experience, Carca is one of the most original and unique musicians in Argentina and the world. This is his story

In Buenos Aires, 17-year-old Bennie seeks out his estranged brother Tetro, a once-promising writer haunted by their family’s past. As Bennie uncovers Tetro’s hidden manuscript, old secrets and rivalries resurface, forcing both men to confront the truth about their father and the tangled legacy that tore their family apart.

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”

A small town is the subject of some experiment with aliens where they were allowed to test some earth folks with some kind of disease, but of course it spread with disastrous results. And now, three oddballs have been dumped into the middle of this town as test subjects or something, and the race for survival is on. John West is a strongman, with a cowboy hat and leopard skin tights, Bill is a medical student, and Max is a mathematical genius, and it's them against the zombies.

Víctor, Juan, and Manuel, three petty thugs who work for Roselli, a local mobster, are sent to find the architect of a robbery who escaped with the loot. The task seems simple enough, but they find a twist in their plans, caused by a violent and fatal mistake of theirs. Now, with Roselli breathing down their necks and his attempts to remedy the irreparable, they cause a riot with eccentric and violent characters who cross paths in what was the lair of their initial objective, added to the greed for hot money, experimental drugs and shootings, which will become a grave for three.

An invasion alien threatens the fate of humanity and begins in a village where there are Bill Johnson, John West and Max Giggs. The friends escape from there with the purpose of finding and destroying the invading ship before it completes its evil plan of conquest.

Alina is a movie sound engineer. One day she receives an offer to do the direct sound for an erotic film featuring Maria Black, a famous star of the genre who had already retired. When Maria has a heart attack and dies in the middle of the shoot, and the producers decide not to call the police, a series of sinister and unexpected events are unleashed that will endanger everyone's lives.

Pistolero is a fiction that in a certain way is an essay on violence. The story follows the criminal raid of Isidoro Mendoza and his brother Claudio in the rural Argentina during Ongania’s dictatorship, and how the violence of his criminal deeds begins to leave a mark in them. A teacher from Buenos Aires arrives to Isidoro’s life, and love is the possibility to open himself to a new life, but even as he tries, he can not escape the entropy generated by his own drives and actions.

A group of people must fight for their lives when a bizarre epidemic starts a zombie invasion.

A mentally fragile man must conquer his fear of death in order to stave off a killer’s advances.