Paula Manzone

A horror writer, drowning in debt and on the verge of collapse, desperately performs a ritual to summon a demon who promises to deliver the stories he can no longer write. The pact works, but at a terrible price.

Jessi is about to go to prison for ten years. But Lu and Pau, her sister and her best friend, have a plan: to rob three finance companies in a single day to get the money to bribe the prosecutor. A great plan

Malena, a woman who divides her life between two jobs: by night she's a dancer in a cabaret and by day she answers a "Hot Line," an erotic telephone line. However, her routine turns into a nightmare when a serial killer begins calling her, recounting his crimes in chilling detail and announcing that she will be his next victim. This is a clear homage to the Italian Giallo.HoH

Four interconnected stories reveal the beginning and evolution of a zombie apocalypse in Buenos Aires. Through the eyes of different characters, we experience the initial confusion, the uncontrolled chaos, and the struggle for survival in a devastated world.

It’s saturday night and Pilar just wants to stay alone at home without being bother. But when the doorbell rings, her plans will soon change.

Marina goes through her parents’ separation while navigating adolescence. The swimming pool of her new apartment building becomes a place of freedom for this girl on the edge of adulthood, who only dives in at night.

Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”

Matías is a Russian-language translator. Rody, an Interpol agent who requires his services to clarify a case. A series of unforeseen events envelop them in a desperate run to protect their lives.

Following the death of a musician under suspicious circumstances, a researcher and a music fan examine why rock stars often die at 27.

Bianca an emotionally unstable office worker is asked by a mysterious client to deliver documents insisting she must deliver them herself in person. On her arrival Bianca is kidnapped. Her captor, leader of a cult, drugs Bianca whilst tormenting her with continuous relentless indoctrination, forcing Bianca her to question the veracity of her memories, even those most life forming, as a victim of child abuse.

The worrying disappearance of Ansio in TRASH (2010) and Ana L in TRASH TWO (2013) alerts the sexagenarian Mom Bruselas who, with a wheelchair in between, will launch herself to the adventure of getting her children back. She will have to go deep inside her own memories to get to the center of such a twisted maze. Drugs that makes you travel through time, an epic gang fight which takes place in a more addictive and violent city, and confusing religious cults in the search for their messiah. All of these will frame the explosive end to this punk cinema saga.