Kryptonita

"La H" is a documentary about the social phenomenon that implied, after the separation of V8, the appearance of the legendary Argentine heavy metal band Hermética, at the end of the 80s, with committed lyrics that reflected the harsh reality that was lived in the streets and a message of resistance.

A frustrated jazz trumpeter rehearsing for an audition accidentally awakens an invisible ghost with the power to manipulate sound. The ghost promises to turn him into a virtuoso in exchange for his help unearthing an ancient treasure buried deep in the mountains. But what begins as a great deal soon becomes a dangerous adventure leading toward a dark secret.

Gore short film directed by Hernán Sáez and starring Paulo Soria from FARSA Producciones.

Short film written and directed by Hernán Sáez in 1999.

A retired general and his son meet six crazy young men while on a fishing trip.

Malena, a woman who divides her life between two jobs: by night she's a dancer in a cabaret and by day she answers a "Hot Line," an erotic telephone line. However, her routine turns into a nightmare when a serial killer begins calling her, recounting his crimes in chilling detail and announcing that she will be his next victim. This is a clear homage to the Italian Giallo.HoH

Sofía is a former professional racer who ends up working as a mule for a drug cartel. When she and her best friend are ambushed by two corrupt cops who want to kill them and take the drugs, all hell breaks loose when they discover what they were carrying is not of this world. Now it's up to Doc, a cartel hitman and Sofía's lover, to save their lives.

A massacre tinted Cascallares with blood and time covered the events with a cloak of silence. Ten years later, a group returns to the place to investigate. They will soon turn into corpses one by one. History repeats itself.

In Buenos Aires, 17-year-old Bennie seeks out his estranged brother Tetro, a once-promising writer haunted by their family’s past. As Bennie uncovers Tetro’s hidden manuscript, old secrets and rivalries resurface, forcing both men to confront the truth about their father and the tangled legacy that tore their family apart.

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”

A small town is the subject of some experiment with aliens where they were allowed to test some earth folks with some kind of disease, but of course it spread with disastrous results. And now, three oddballs have been dumped into the middle of this town as test subjects or something, and the race for survival is on. John West is a strongman, with a cowboy hat and leopard skin tights, Bill is a medical student, and Max is a mathematical genius, and it's them against the zombies.

Alina is a movie sound engineer. One day she receives an offer to do the direct sound for an erotic film featuring Maria Black, a famous star of the genre who had already retired. When Maria has a heart attack and dies in the middle of the shoot, and the producers decide not to call the police, a series of sinister and unexpected events are unleashed that will endanger everyone's lives.

A group of people must fight for their lives when a bizarre epidemic starts a zombie invasion.

Pistolero is a fiction that in a certain way is an essay on violence. The story follows the criminal raid of Isidoro Mendoza and his brother Claudio in the rural Argentina during Ongania’s dictatorship, and how the violence of his criminal deeds begins to leave a mark in them. A teacher from Buenos Aires arrives to Isidoro’s life, and love is the possibility to open himself to a new life, but even as he tries, he can not escape the entropy generated by his own drives and actions.

A mentally fragile man must conquer his fear of death in order to stave off a killer’s advances.

Forty-nine days after George’s death his wife, Alicia, calls friends who wanted to read over the letter that he left before he died. It is a very affectionate and moving letter, which addresses each of those present, knowing that his death is near. Little do they know that they are part of a ritual prepared by Alicia, with the connivance of Santiago, the closest friend of George, to bring him back to life – and that ritual, full of ghostly apparitions, traumatic and terrifying, will be gaining further life from each of the guests. The surprising twists in the plot will lead up to the most unexpected of endings.