Lumberjack and Lady

A story of a store that makes Tabi socks.

A farmer’s boy, obsessed with his balsa-and-paper flying models and with dreams of real aircraft, develops a friendship with the daughter of the local squire, who introduces the lad to her pilot brother and his flying officer friends; through hard work, and despite the handicap of a lowly class status, he eventually succeeds in qualifying as a pilot and joining the air force.

Shigeko and Midori, star swimmers at the renowned Kirishima Girls’ School, are training relentlessly with their sights set on the Los Angeles Olympics. But for the past week, Shigeko has been absent from practice. Her father has fallen ill, and to support her family’s struggling finances, she has secretly taken a job at a trading company. When Masao discovers this, he asks Midori to convince her to return, but soon the school learns of her secret. The students rally to raise funds, though the principal refuses their help, promising instead to handle the situation himself. Shigeko resumes training and travels to Tokyo for the qualifying meet. She touches the wall first in the 100-meter freestyle—only to receive news of her father’s passing. Overcome with grief, she collapses, cared for by Midori, whose own exhaustion leaves her finishing fourth. Despite these hardships, their prior accomplishments earn them a place on Japan’s Olympic team.

A hostile Chinese nurse (Yamaguchi) who works in an orphanage is won over by the care and commitment of the Japanese doctor (Sano) who treats her wards. Disease outbreaks and family obligations, however, threaten to torpedo their budding romance.

1939 Japanese movie

This film was mainly shot in the Japanese skiing resort Hokkaido in 1937-38 and was intended to create support for the coming winter olympics of 1940 in Japan which however were cancelled because of the Japanese-Chinese war. A Japanese production, it was nevertheless made with German involvement in the form of skiing champion Sepp Rist and celebrated cinematographer Richard Angst (who also contributed to the script). Both had regularly worked with the inventor of the mountain film genre, Dr. Arnold Fanck, who had helmed the German-Japanese co-production "Die Tochter des Samurai", also shot by Angst, the year before. Angst apparently stayed in Japan until mid-1939 when he returned to Germany, carrying this film with him. Angst submitted it to the German censors later that year, but for reasons unknown to me it took three more years before the film was finally shown in Germany under the name "Das heilige Ziel" (The Holy Aim). (Karargara)

Kinuyo is a daughter of rice cracker shop in downtown. She fell in love with her sister's boyfriend. It is a story whose theme is warm human relationships in a town of customs and manners.

A young doctor, Kozo Tsumura, falls for young nurse Katsue Takaishi. But she's got a secret: she's a widow with a son. Kozo and Katsue decide to run away to Kyoto, but her child suddenly became sick and she just missed the train and Kozo. She makes it to Kyoto finally, but is unable to meet him. Plus she isn't accepted into Kyoto society. She goes back to her hometown and tries to forget him. She quits the hospital to concentrate on her singing. She makes her professional debut with the hit "Aizen Katsura". Kozo is in the audience.

The narrative is about a woman who faces hard times, when her husband is arrested for a crime committed by his boss. The woman also has a child to look after, and they end up meeting several colorful personalities.

A young couple is harrased by an uncle.

Kinuyo is a daughter of doctor of Chinese medicine, and Yasuo is a son of surgeon. Their families always fight like cat and dog. This relationship is ancestral. Although Kinuyo and Yasuo love each other, they have different thoughts toward treatments.

In 1942 South China, hardened field hospital nurse Yukiko secretly loves Sergeant Nemoto. The arrival of a fragile new nurse, Keiko, reawakens Yukiko's warmth but also sparks intense jealousy when Nemoto shows Keiko kindness. As the two bond over a shared hometown, Yukiko's resentment grows. The situation is compounded by the escalating chaos of a losing war, including air raids, medicine shortages, and a deadly malaria outbreak that weakens Keiko. Set against the backdrop of Japan’s impending defeat, Yukiko is forced to confront the high cost of her envy and decide where her loyalties lie in a final test of courage and compassion.

Hiromasa Nomura World War II era film

Sabu Toshinobu is an archaeologist who has taken a liking to Kinuyo Tanaka, the daughter of an archaeologist at an inn in Izu, where he is visiting to conduct an excavation. Sabun gets along well with his childhood friend Michiko Kuwano, but his mother (Fumiko Okamura) is against her, so he gives up easily and ends up being married to Kinuyo Tanaka.

Domestic comedy involving a strong wife and a "henpecked" husband taking place in a family-run judo school.

In the movies of those times, you can see young boys in the company scene often. Those boys were called kyuji (給仕), which means “waiter” literally. They are doing odd jobs in the company including serving tea, ushering visitors, buying tobacco, etc. Ordering lunch for the individual requests was also an important job. Those boys were hired often as soon as they graduated from elementary school.