Akio Isono

After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.

Five years after the end of the Second World War, Reikichi, a repatriated veteran, translates love letters for Japanese women to American GIs, while searching for his lost love, Michiko.

Machiko and Haruki’s drama continues. Two meet again in Hokkaido only to be separated again.

A rural village elder plans an event on the return of a farmer's daughter from the city, unaware that she has become a Westernized burlesque artist.

An aging geisha, whose angry teenage son is ashamed of her profession, works alongside a young geisha, resentful of her family for forcing her into a life of shame.

Machiko and Haruki’s drama continues. Machiko is not allowed to see Haruki. They finally meet again, but Haruki departs to Europe.

Shochiku melodrama about the lives of the humble people living in the poor tenement called the Ryuheiso.

A talent scout moves sharply, dead-set on signing a promising baseball player to The Toyko Flowers.

Akitaro Orizuru, who set out on a journey to avenge his father's death in the darkness, returned to Itako, his hometown, where the Ayame Festival was approaching, for the first time in five years. His late father's brother, Sutezo, who took off his waraji, runs a small prostitute with only one child, Sutematsu. In addition, only Shigezaburo, who left a mark in the middle wind, was ill-mannered by Inomatsu. Akitaro was accompanied by a daughter named Omitsu on the way to here, but she was Ura's younger sister who works at Fujikura's house, and the villagers worked on the fifty cars to meet her critically ill father.

Watanabe Kazuma and Kawai Matagorō from the Bizen Okayama Ikeda clan were close friends, but they inevitably became enemies after Matagorō killed Kazuma's younger brother, Gentayū, and fled. Seeking assistance, Kazuma asked his brother-in-law, Araki Mataemon, for help, but Mataemon refused, saying that it was against the code for a brother to avenge another brother's death. On the other hand, the lord of the clan, Ikeda Tadao, ordered a search for Matagorō, who was found to be sheltered by the Hatamoto, including Andō Jiemon, in Edo. Tadao was furious but unable to act. Matagorō, in Edo, came to regret his birth as a samurai. He met and fell in love with Okō, a bathhouse maid. As the discord between the Hatamoto and the Ikeda clan deepened, Tadao died of illness. Seizing the opportunity to ease the conflict, the shogunate ordered the Ikeda clan to be succeeded by the young lord Katsugorō and to relocate to the Ikeda clan of Inshū Tottori. Meanwhile, Matagorō was exiled from Edo.

Mikio Naruse’s final silent film is a gloriously rich portrait of a waitress, Sugiko, whose life, despite a host of male admirers and even some intrigued movie talent scouts, ends up taking a suffocatingly domestic turn after a wealthy businessman accidentally hits her with his car.

33-year-old poor writer Ogata was able to endure his miserable life cheerfully thanks to Yoshie, a 19-year-old innocent young wife. After graduating from a girls' school in Hokuriku, she immediately moved to Tokyo to meet and marry Ogata. After neatly writing Ogata's manuscript, he would buy dorayaki as a gratuity and devour it.

A pair of blind masseurs, an enigmatic city woman, a lonely man and his ill-behaved nephew—The Masseurs and a Woman is made up of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, Hiroshi Shimizu paints a timeless portrait of loneliness and the human need to connect.

Strip dancer Carmen falls in love with Hajime, who is engaged to the daughter of a right-wing politician.

A boy, who is separated from his mother in an air raid, endures suffering and grief alongside his kind uncle.

Ignoring the protests of his working-class mother, a young man becomes wrapped up in the world of delinquents and yakuza.

1962 Japanese movie

A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.

One week into newlywed Teiko Uhara's marriage, her husband, Kenichi, leaves on a short business trip and never returns. Teiko travels across Japan to search for him, and along the way discovers some surprising facts about her husband's past. With only a pair of old photographs among his belongings to go off of, Teiko tries to figure out what has happened to him.

A businessman runs afoul of the law and commits suicide, leaving behind a wife and five children. The eldest son takes the family to Tokyo and labors to restore its name and fortune

Keitaro is a law student and Yaeko is a high school girl. They are neighbors, and their friendship is starting to develop into something more romantic. Then, Yaeko's sister Kyouko has a breakup with her husband and returns home. Kyouko is clearly interested in Keitaro and Yae becomes anxious.

Kinuyo is a daughter of doctor of Chinese medicine, and Yasuo is a son of surgeon. Their families always fight like cat and dog. This relationship is ancestral. Although Kinuyo and Yasuo love each other, they have different thoughts toward treatments.

As supernatural events and monster attacks rock Japan, the military and government look to be overwhelmed. Three intrepid young investigators—two pilots and a reporter—take it upon themselves to study these unexplained phenomena in order to inform and protect the public.