Sôjin Kamiyama

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

Stan is a sailor whose girl gets kidnapped by a rough sea captain. Stan dresses in drag and seduces the captain but the captain's wife catches him. Stan and his girl beat a hasty retreat as the captain's wife fires off a parting shot.

In French Indochina, a magistrate is assigned to investigate the murder of his boss. Unknown to him, the boss had a policy of requiring the wives of his subordinates to sleep with him if they wanted their husbands to get promoted. What he also didn't know was that his wife was in the boss' office when he was killed. Complications ensue.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

Finding himself discharged from a shoe store job and the girl of his affections, May, Johnny gets away from it all by becoming a tour guide for a group of travelers visiting Eygpt. Once there, he is conned into changing places with an itinerant sheik.

American Sergeant falls in love with a Japanese woman.

This film was mainly shot in the Japanese skiing resort Hokkaido in 1937-38 and was intended to create support for the coming winter olympics of 1940 in Japan which however were cancelled because of the Japanese-Chinese war. A Japanese production, it was nevertheless made with German involvement in the form of skiing champion Sepp Rist and celebrated cinematographer Richard Angst (who also contributed to the script). Both had regularly worked with the inventor of the mountain film genre, Dr. Arnold Fanck, who had helmed the German-Japanese co-production "Die Tochter des Samurai", also shot by Angst, the year before. Angst apparently stayed in Japan until mid-1939 when he returned to Germany, carrying this film with him. Angst submitted it to the German censors later that year, but for reasons unknown to me it took three more years before the film was finally shown in Germany under the name "Das heilige Ziel" (The Holy Aim). (Karargara)

Before a planned African expedition, Jim's fiancée Eve worries her father's guest plans to steal one of her father's rubies. The couple are kidnapped and held prisoner at a mysterious, creepy house, where strange things are afoot.

This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

An English explorer disturbed by the practices of an isolated tribe attempts to rescue a native girl he has become fascinated with. THE DEVIL DANCER was highly praised at time of release for its exquisite cinematography, especially in the use of light and shadow. The film received an Academy Award nomination in this category. Sadly, it is among the lost. No prints or negatives are known to survive.

The plot is motivated by a pearl necklace, which has caused the death and/or ruination of all its owners. The second screen appearance of detective Charlie Chan.

A newspaper publisher finds out that his wild daughter has fallen in with a ring of gamblers. A reporter who has infiltrated the gang to get a story falls in love with the gang's female leader, and when the two are caught in a police raid, they find themselves in equal amounts of trouble.

Based on Herman Melville's novel "Moby Dick."

The snooty Fernanda decides to leave Spain to visit her uncle in San Francisco in order to escape the attentions of the dandy, amorous Don Diego, but he follows her. She is rescued from a wild taxi ride by a passerby who owns a huge plumbing company. Believing him to be a common plumber, she snubs him, but he pursues her and a romantic rivalry is born.

A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.

A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.

In search of her fugitive brother, who wounded a man who was later murdered, Johanna Hearne encounters pirates, a Chinaman with a harem and criminals as slaves, and love on a desert island for ship captain Dan Meloy.

A samurai is ordered by his lord to go to Edo and investigate the truth behind the rumor of a rebellion against him.

Japanese film from 1932.

Dawn, a young white girl who has been kidnapped in infancy and reared by Mooda, an African woman who operates a canteen in the German cantonment, meets and falls in love with Tom Allen, an English rubber planter who is a prisoner of war. Shep Keyes, who has joined the German troops, covets her but realizes he cannot possess her because she is betrothed to the tribal god, Mulunghu. On the eve of the ceremony, he learns of her love for Tom. Tom, meanwhile, is sent back to England, and when the English take the territory from the Germans, Shep tries to incite the natives, who are experiencing a drought, against Dawn because of her love of a mortal. Tom learns from Mooda that Dawn was stolen from a white trader and finds her seeking refuge in a convent. Shep arouses the natives, but Dawn declares her faith in the white man's God, and a thunderstorm brings relief to the parched land, after which Tom claims her for his bride.

Three couples connected to rival business and theatrical families navigate complicated romances, workplace disputes, and family opposition.