Hard Knocks

A girl-shy professor runs into trouble at a ladies’ seminary.

Harry is hired by a rich family to stop their daughter from entering a beauty contest.

As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.

The Hardys wish to have a quiet evening in their apartment, but are interrupted when the Laurels pay a visit. Stan and Ollie go out for ice cream, and manage to prevent a shrewish woman from committing suicide on the way back home. The woman is ungrateful and makes threats against the them unless they look after her. They spend a chaotic evening trying to keep her hidden from their wives.

Oddly enough for a Roach comedy the premise of MIXED NUTS is grounded in topical political satire aimed at the New Deal, although the satire is of a very lightweight (and light-hearted) nature. The film begins at a city council meeting where an unidentified politician announces that the government has released $50,000 for the relief of unemployed plumbers. This prompts applause, but also a pointed question from an angry woman who wants to know what the government is going to do for the members of her profession: chorus girls. The politician glibly replies that the administration has set aside money—two million dollars, no less!—for the re-education of chorus girls, "to fit them for the better things in life."

Stan and Ollie try to deliver the deed to a valuable gold mine to the daughter of a dead prospector. Unfortunately, the daughter's evil guardian is determined to have the gold mine for himself and his saloon-singer wife.

Two families embark on a pleasant Sunday picnic but manage to run into a variety of issues with their temperamental automobile. Each incident requires repeated exits and reboardings by Laurel, Hardy, their wives and grouchy, gout-ridden Uncle Edgar.

It's 1938, but Stan doesn't know the war is over; he's still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum's picture in the paper and goes to visit Stan who has now been returned to the States and invites him back to his home.

First, Ollie can't find his hat. Then he and Stan attempt to install a rooftop radio antenna.

Two homeless vagabonds hide out in a vacant mansion and pose as the residents when prospective lessees arrive and try to rent it.

Ollie is in the hospital with a broken leg. When Stan comes to visit him, total chaos ensues.

Stanley and Oliver are trying to spend a relaxing night at home playing checkers, but the antics of their mischievous sons keep interrupting their recreation.

Two sailors on shore leave rent a car and go on a drive with their dates, but soon get involved in a huge traffic jam with dozens of ill-tempered motorists. A minor collision sets off an escalating series of retaliations.

Street musicians Stan and Ollie have no success earning money in the dead of winter in a bad neighborhood. Their instruments are destroyed in an argument with a woman, but their luck seems to turn when Stan finds a wallet.

Novice policemen Stan and Ollie bungle a burglary investigation.

Finlayson plays an intrepid army cameraman on the battlefield in the world war, and Rowe plays his hapless assistant. Cranking away in no man's land, they take foolish chances and must dodge flying shells, falling down and losing their film repeatedly.