Brats

A girl-shy professor runs into trouble at a ladies’ seminary.

Policeman Edgar Kennedy is told by his chief he better stop a string of burglaries that have been happening on his watch or else he will get the sack. He persuades vagrants Stan and Ollie to rob the chief's house so he can regain his reputation by catching them. The policeman promises to later get the boys off. Things do not go as planned.

As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.

Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.

The Hardys wish to have a quiet evening in their apartment, but are interrupted when the Laurels pay a visit. Stan and Ollie go out for ice cream, and manage to prevent a shrewish woman from committing suicide on the way back home. The woman is ungrateful and makes threats against the them unless they look after her. They spend a chaotic evening trying to keep her hidden from their wives.

Stan and Ollie try to deliver the deed to a valuable gold mine to the daughter of a dead prospector. Unfortunately, the daughter's evil guardian is determined to have the gold mine for himself and his saloon-singer wife.

Two families embark on a pleasant Sunday picnic but manage to run into a variety of issues with their temperamental automobile. Each incident requires repeated exits and reboardings by Laurel, Hardy, their wives and grouchy, gout-ridden Uncle Edgar.

It's 1938, but Stan doesn't know the war is over; he's still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum's picture in the paper and goes to visit Stan who has now been returned to the States and invites him back to his home.

First, Ollie can't find his hat. Then he and Stan attempt to install a rooftop radio antenna.

Two homeless vagabonds hide out in a vacant mansion and pose as the residents when prospective lessees arrive and try to rent it.

Ollie is in the hospital with a broken leg. When Stan comes to visit him, total chaos ensues.

Two sailors on shore leave rent a car and go on a drive with their dates, but soon get involved in a huge traffic jam with dozens of ill-tempered motorists. A minor collision sets off an escalating series of retaliations.

Stan and Ollie arrive as new inmates at a prison after apparently taking part in a hold-up raid, a raid they tell a prison officer they were only watching. The usual mayhem ensues.

A year prior to the first scene, Stan married Ollie's sister, and Ollie married Stan's sister in a double wedding. They all live together and Stan and Ollie work in the same office.

Finlayson plays an intrepid army cameraman on the battlefield in the world war, and Rowe plays his hapless assistant. Cranking away in no man's land, they take foolish chances and must dodge flying shells, falling down and losing their film repeatedly.

It's Prohibition, and the boys wind up behind bars after Stan sells some of their home-brew beer to a policeman.