James Parrott

Two homeless vagabonds hide out in a vacant mansion and pose as the residents when prospective lessees arrive and try to rent it.

It's 1938, but Stan doesn't know the war is over; he's still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum's picture in the paper and goes to visit Stan who has now been returned to the States and invites him back to his home.

Stan Laurel is picked up at the train depot and brought back by the husband to the family home where the wife is having a suffragette meeting. None too pleased they cause mayhem and then the neighbours are brought into it as Stan cleans up the backyard by throwing all the rubbish into their award winning garden.

Ollie is in the hospital with a broken leg. When Stan comes to visit him, total chaos ensues.

Stan and Ollie try to deliver the deed to a valuable gold mine to the daughter of a dead prospector. Unfortunately, the daughter's evil guardian is determined to have the gold mine for himself and his saloon-singer wife.

It's Prohibition, and the boys wind up behind bars after Stan sells some of their home-brew beer to a policeman.

First, Ollie can't find his hat. Then he and Stan attempt to install a rooftop radio antenna.

As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.