The Cowboys Are Black

The tumultuous affair between a young man and a woman twenty-five years his senior.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

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Evocation of the life of Jesus Christ.

In the 1930s, in a village in Gironde, Guillou, a young boy in need of affection, nicknamed the Sagouin, unhappy and in need of affection, leads a life of anguish and sadness in a sinister castle. He exasperates his mother who sees in him only the hated reflection of a husband she only married to become a baroness. Thanks to the kindness of the village teacher, Guillou glimpses for a moment the existence of another world, of gentleness and tenderness.

A French army journalist bears witness to the atrocities of the Algerian war in 1962 in this gripping French war movie. It is based on the 1967 novel by Philippe Labro. The film begins in Paris as Jerome Carier, ready to embark to Algiers, is beaten and questioned about the politically sensitive photographs he has. The photos were sent to him by Francois, a friend stationed in Algiers. Francoise is trying to get the French and the Algerians to reconcile. Jerome arrives in the war-torn country and finds himself faced with unbelievable carnage. The French are behind most of it. Because he took the pictures, Francois life is in jeopardy. He is murdered and Jerome finds himself attracted to his girl friend, a radio station announcer. The film contains graphic pictures of the slaughter.

May 10th, 1981. François Mitterrand is elected President of the Republic. The “soviet tanks” supposedly coming upon the Champs-Élysées dressed in red, feared by some, did not march. Serge Moati takes a personal look at this episode, focusing on the relationship the president had with television, that he witnessed and played a role in.

Michèle is the new French consul in a South American country. She quickly discovers that the government is, in fact, a dictatorship. Moreover, her seventeen-year-old daughter is involved in the revolution against the regime.

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

In the 1930s a young fellow, Simon Chalumet, is sent to a military school by his overbearing father, an ex-soldier who has little sympathy for his son's more gentle temperament, or for his interest in films.

On stage, the actress talks about her life in the 20th-century French theatre, the great authors she played and the famous stage directors of the time who directed her.

A car factory, assembly lines, robots. And men and women whose... Michèle moves to the night shift, with the secret hope of changing her hours to change her life. Farouk is retiring after 35 years on the line. Suddenly, the stop, the silence. Jeremie, Michèle's husband, is a team leader in the sheet metal and finishing workshop, a job that costs him too much. 13 hours to make a car. How many days for a love to be born or broken?

In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule.