Mitterrand et la télé

In 1899, a French military column, led by Captains Julien Chanoine and Paul Voulet, set out to conquer Lake Chad in order to unite the French colonial empire. The two captains were violent and ruthless towards the local populations and their colonial soldiers. The Voulet-Chanoine mission sinks further and further into unknown Niger territory while the lack of food supplies is felt. Little by little, Voulet falls into a megalomaniac delirium.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

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Evocation of the life of Jesus Christ.

A French army journalist bears witness to the atrocities of the Algerian war in 1962 in this gripping French war movie. It is based on the 1967 novel by Philippe Labro. The film begins in Paris as Jerome Carier, ready to embark to Algiers, is beaten and questioned about the politically sensitive photographs he has. The photos were sent to him by Francois, a friend stationed in Algiers. Francoise is trying to get the French and the Algerians to reconcile. Jerome arrives in the war-torn country and finds himself faced with unbelievable carnage. The French are behind most of it. Because he took the pictures, Francois life is in jeopardy. He is murdered and Jerome finds himself attracted to his girl friend, a radio station announcer. The film contains graphic pictures of the slaughter.

Michèle is the new French consul in a South American country. She quickly discovers that the government is, in fact, a dictatorship. Moreover, her seventeen-year-old daughter is involved in the revolution against the regime.

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

In the 1930s a young fellow, Simon Chalumet, is sent to a military school by his overbearing father, an ex-soldier who has little sympathy for his son's more gentle temperament, or for his interest in films.

On stage, the actress talks about her life in the 20th-century French theatre, the great authors she played and the famous stage directors of the time who directed her.

In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule.

By the will of her dead uncle who was murdered Sandra Paoli is propelled to the head of a powerful mafia clan. She becomes a respected, but also hated, woman in a world of men, murder and criminality.

The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?

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A man endeavors to collect memories of his grandparents who died in a concentration camp during the Holocaust.