Serge Moati

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

François, director of a primary school, teaches third graders. It's a demanding position, leaving him little time for his private life. But he is committed. At the beginning of the school year, his daughter has come to stay with him. Laura is 14 and has arrived from Tahiti with her mother for the first time after his separation, shaking up his calm existence. In the school courtyard, behind the playful games and laughter of the kids, their cries mask problems they struggle with on a day to day basis. Francois is more than a teacher, he's a friend and a protector.

In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule.

A young man falls in love with a beautiful woman being chased by sinister masked figures at night. He tries to track her down, and learns she's being held captive by his father and colleagues who believe she's a vampire.

On stage, the actress talks about her life in the 20th-century French theatre, the great authors she played and the famous stage directors of the time who directed her.

When Camille accidentally becomes pregnant, she encourages her friends and fellow high school classmates to follow suit. It's only a matter of time, before seventeen girls in the high school are pregnant and the town is thrown into a world of chaos.

Evocation of the life of Jesus Christ.

A man endeavors to collect memories of his grandparents who died in a concentration camp during the Holocaust.

The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?

A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.

After his family tries to kill him and he has been pronounced dead, Michel returns from the dead and sets about getting revenge on his family members. He sends each one a voodoo doll, warning of their fate. Wandering over the streets of Paris, Michel is the haunted and hunted, as he himself hunts his villainous kin.

In 1899, a French military column, led by Captains Julien Chanoine and Paul Voulet, set out to conquer Lake Chad in order to unite the French colonial empire. The two captains were violent and ruthless towards the local populations and their colonial soldiers. The Voulet-Chanoine mission sinks further and further into unknown Niger territory while the lack of food supplies is felt. Little by little, Voulet falls into a megalomaniac delirium.

A French army journalist bears witness to the atrocities of the Algerian war in 1962 in this gripping French war movie. It is based on the 1967 novel by Philippe Labro. The film begins in Paris as Jerome Carier, ready to embark to Algiers, is beaten and questioned about the politically sensitive photographs he has. The photos were sent to him by Francois, a friend stationed in Algiers. Francoise is trying to get the French and the Algerians to reconcile. Jerome arrives in the war-torn country and finds himself faced with unbelievable carnage. The French are behind most of it. Because he took the pictures, Francois life is in jeopardy. He is murdered and Jerome finds himself attracted to his girl friend, a radio station announcer. The film contains graphic pictures of the slaughter.

In the 1930s a young fellow, Simon Chalumet, is sent to a military school by his overbearing father, an ex-soldier who has little sympathy for his son's more gentle temperament, or for his interest in films.

The tumultuous affair between a young man and a woman twenty-five years his senior.

The dark years, those of war. This film, which combines fiction and archives, tells the story of the unusual trajectory of a young man from the provinces. Prisoner of war, escaped at the age of 24, he found himself in Vichy, capital of the French state. A convinced Pétainist, he will become a leading resistance fighter.

Paris, in the 1960s. A series of crimes troubles the public tranquility. On March, 22, 1968, Hélène Picard, a prostitute sentenced to death two years before for several murders, is killed by executioner Louis Guilbeau. Immediately, the violent crimes, similar to Hélène’s ones, go on again. In parallel, Louis is having an affair with the police woman in charge of the investigation… What are the obscure relations hidden behind the executioner and the mysterious killer? Who is this dark man in reality?

May 10th, 1981. François Mitterrand is elected President of the Republic. The “soviet tanks” supposedly coming upon the Champs-Élysées dressed in red, feared by some, did not march. Serge Moati takes a personal look at this episode, focusing on the relationship the president had with television, that he witnessed and played a role in.

A documentary drama retelling the shift of Mitterand's policy. In May 1981, F.Mitterrand is elected President of the Republic, after more than twenty years in the opposition. He wants to change the life; he believes in the supremacy of politics over economics. He wants it to be fast and executes his programme to realise the socialist transformation. Two years later, Pierre Mauroy and Jacques Delors introduce an unprecedented austerity plan and open the parenthesis of austerity... that would never be closed.

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Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

By the will of her dead uncle who was murdered Sandra Paoli is propelled to the head of a powerful mafia clan. She becomes a respected, but also hated, woman in a world of men, murder and criminality.