Blonde Barbarei

Blonde Barbarei

1973 · 24 min · ★ 8.0

A female figure wanders inside a warehouse interior and through various motifs, including a fan and a birdcage, set to a medieval chant.

Directed by Dore O. · Written by Dore O.

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LawaleLawale · 2025
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A strange succession of tableaux of four women and a man which gives the sense of a sort of dream family locked in an antiseptic world of endless afternoon teas, dinners and waiting. Often her images seem to be stills either before or after something has been said.
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For "Thermoment" Dore O. filmed the clarinetist Eckard Koltermann with a heat recording camera and thus translated the heat regions of the body's interior into images while making music.
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A painter surrounded by images - his own and those of the reality that surrounds him - is the protagonist of the latest film by Dore O., moves exactly in the border area between the two, only apparently separate worlds.
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Attracted to Nordic landscapes, [Dore O.] filmed KALDALON (1970/71) in Iceland where images of water, rocks, steam and smoke were technically enhanced to appear blue-tinged.
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A series of still photographs, is various states of photographic exposure.
Stern des MeliesStern des Melies · 1982
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The reality of the film is the fantast of the viewer. My north pole in the Ruhr valley. Dedicated to Georges Méliès.
KaskaraKaskara · 1974
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An experimental film where a particular space is constantly "present" : there is a complex usage of superim- position, and of split-screen effects. The place shown is a part of a house in the country. Doors and windows are continually shown, emphasizing the film's concern with framing. Other images are present: city-scapes of a particularly sinister nature, implying a sense of ruin, and shots of a chorus on a stage. These shots begin and end the film which is accompanied by a vocal chant on the soundtrack.
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Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.
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In 1920 Frans Masereel published in Paris his woodcut series "The idea". Dore O. has draw inspiration from this work on her first feature film, a poetic fable about the human longing for a free and just society. Following Masereel "idea" Dore O's "CANDIDA" accesses old, anchored in the ancient Christian tradition and ideas, according to which such ideas and aspirations in the image of the naked woman find their embodiment.
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Director Werner Nekes has created this experimental film in the mode of James Joyce's Ulysses to the extent that human interactions are represented by poetic, symbolic images and language, with a certain amount of nudity added in.
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