Franz Winzentsen

Figures in a side-scrolling landscape.

A cloud of black dust, one of white dust, and the world.

An expedition report (a winter sailing trip down the Elbe), and a document about filmmakers who leave a city because it's more hospitable elsewhere, reflections, reflexes.

A pseudo-scientific analysis of a cartographical enigma which arose when the frontier between East and West Germany was erased. "The Border" delivers an intelligent study of an age-old German problem of borders and walls long since gone which nevertheless remain in the head.

Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.

A journey through the history of German animated film from 1920 to 1960, spanning the avant-garde beginnings, the emigrants, the time in the Third Reich and cinema in both German states after 1945.

A female figure wanders inside a warehouse interior and through various motifs, including a fan and a birdcage, set to a medieval chant.