The United States of America
1975 · 27 min · ★ 7.8 · Documentary
A conceptual bicentennial film dealing with spatial and temporal relationships between two travelers, their car, and the geographic, political, and social changes from NY to Los Angeles.
Directed by Bette Gordon
Your Rating
Cast
Make it a double feature
1h 48m togetherBoth from Bette Gordon.
More from Bette GordonSee all →
Committed · 1984Committed
★ 8.01984
MovieDrama
Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.
North on Evers · 1992North on Evers
★ 7.51992
MovieDocumentary
In NORTH ON EVERS James Benning takes the road movie seriously, making his circular trip across the U.S. a marvelously photographed, intensely felt, and disturbing portrait of contemporary America. In many ways, this recent film is a departure of Benning’s earlier films which are characterized, at times, by extremely long, carefully planned takes and a minimal narrative approach. In NORTH ON EVERS, the shots are kept short with a narrative that is direct and detailed, like a diary or a long series of postcards to a friend. What this work shares with the other films is a dry wit and a deep interest in the American social landscape.
11 x 14 · 197711 x 14
★ 7.41977
MovieDocumentary
65 shots making up a cryptically alluded-to narrative: a lesbian couple's Midwest travels, a hitchhiking young man's journeys, the story of a man who may be having an affair.
Monsters · 1988Monsters
★ 7.01988
SeriesSci-Fi & FantasyMystery
Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. Similarly to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode features a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.
Michigan Avenue · 1974Michigan Avenue
★ 5.61974
Movie
A narrative film concerning an investigation of two women in time and space, to the point where the investigation becomes the narrative.
Handsome Harry · 2009Handsome Harry
★ 5.52009
MovieCrimeDrama
An ex-Navy man carrying out the last wish of a dying shipmate renews contact with old friends to break the code of silence around a mysterious, long-buried crime.
She Must Be Seeing Things · 1988She Must Be Seeing Things
★ 5.51988
MovieDrama
Agatha is an international lawyer, Jo a filmmaker. The two women are lovers. While Jo is on the road showing her films, Agatha discovers and reads her diaries. Problems ensue as Agatha's transgressions lead to jealousy and a spiraling cycle of sexual obsession.
Seven Women, Seven Sins · 1986Seven Women, Seven Sins
★ 5.51986
MovieDrama
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
Variety · 1985Variety
★ 5.41985
MovieDrama
A young woman becomes obsessed with pornography and the mysterious rich patrons of the Times Square porn theater where she works selling tickets.
I-94 · 1974I-94
★ 5.31974
Movie
Intercourse between two people who never appear on the screen at the same time. An exploration of sex and male/female identities.
Empty Suitcases · 1980Empty Suitcases
★ 5.11980
MovieDrama
Bette Gordon describes her first feature film as “a narrative derived from film’s own material and my concern for exploring issues of representation and identification in cinema."
Doublespeak · 2021Doublespeak
★ 5.02021
MovieDrama
A young woman grapples with the aftermath of reporting sexual harassment in the workplace
Luminous Motion · 2000Luminous Motion
★ 4.82000
MovieDrama
A single mother and her 10-year-old son motor around the country as she makes ends meet and enters various relationships that her son has yet to understand.
The Drowning · 2016The Drowning
★ 4.52016
MovieDramaThriller
A psychiatrist faces his past, present and future when he finds himself involved in the treatment of a young man recently released from prison for a murder committed when the boy was just 11 years old.
Anybody's Woman · 1981Anybody's Woman
1981
Movie
The goings-on around a porn theater in New York’s East Village, interspersed with actors recounting experiences with extreme sexualities and a description of a scene from the pre-code Dorothy Arzner film of the same name.
Greed: Pay to Play · 1986Greed: Pay to Play
1986
Movie
Three women have a strange claustraphobic encounter in the ladies lounge of a luxurious manhattan hotel. Set in a timeless "twilight zone" where objects bear a menacing aura and seemingly harmless conversation carries a threatening subtext.
More Like This
Olympia Part One: Festival of the Nations · 1938Olympia Part One: Festival of the Nations
★ 6.91938
MovieDocumentary
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Olympia Part Two: Festival of Beauty · 1938Olympia Part Two: Festival of Beauty
★ 6.71938
MovieDocumentary
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
Workers Leaving the Lumière Factory · 1895Workers Leaving the Lumière Factory
★ 6.71895
MovieHistoryDocumentary
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
James Benning
Bette Gordon
