James Benning

Amy is ravaged by the notion that she is going to die tomorrow, which sends her down a dizzying emotional spiral. When her skeptical friend Jane discovers Amy’s feeling of imminent death to be contagious, they both begin bizarre journeys through what might be the last day of their lives.

"Sandy Ding's WATER SPELL is a bold, abstract journey that takes us into the psychic interior of our very cellular structure... and back. For me, this film is about reincarnation and transformation, on both the spiritual and sub-atomic levels. This is not an easy film, but it is a powerful one."

--Nina Menkes

Grand Opera marks a stock-taking of Benning's work and his life, presenting a personal and artistic autobiography woven together with a series of events dealing with the historical development of the number pi, Benning's travels, and homages to Michael Snow, Hollis Frampton, George Landow (Owen Land), and Yvonne Rainer.

Since 1995, the Viennale has invited renowned directors to create short, one-minute films as personal contributions to the festival. Ranging from home movies to political essays, musical sketches to abstract studies, these “little films” form a unique anthology of cinematic moments. 20 Little Films collects a selection of these works, premiering together for the Viennale’s 50th anniversary at the Locarno Film Festival.

Made over 15 years, Adulthood is a feature composed of six short films, each chapter following a couple as they grow older without necessarily growing up.

An experimental film portraying different skies in very long takes.

Shots of 8 bridges from the continental United States - the Golden Gate Bridge from Sausalito, California; the Rio Grande Gorge Bridge from Arroyo Hondo, New Mexico; the Edmund Pettus Bridge from Selma, Alabama; the Seven Mile Bridge from Little Duck Key, Florida; the George Washington Bridge from Fort Lee, New Jersey; the Dubuque-Wisconsin Bridge from Dubuque, Iowa; the High Bridge from Valley City, North Dakota; the Astoria-Megler Bridge from Astoria, Oregon.

Casting a Glance is a tribute to the American artist Robert Smithson. Between May 15 2005 and January 14 2007, I made 16 trips to the Spiral Jetty. Created in 1970, the Jetty is a 1,500-foot long spiral-shaped jetty extending into the Great Salt Lake in Utah constructed from rocks, earth, salt and red algae.

In NORTH ON EVERS James Benning takes the road movie seriously, making his circular trip across the U.S. a marvelously photographed, intensely felt, and disturbing portrait of contemporary America. In many ways, this recent film is a departure of Benning’s earlier films which are characterized, at times, by extremely long, carefully planned takes and a minimal narrative approach. In NORTH ON EVERS, the shots are kept short with a narrative that is direct and detailed, like a diary or a long series of postcards to a friend. What this work shares with the other films is a dry wit and a deep interest in the American social landscape.

James Benning’s "remake" of John Cassavetes’s Faces (1968) is an unexpected venture into the world of found footage filmmaking. As Benning explains, he’s reconstructed Cassavetes’s Faces in such a way that it’s comprised entirely of shots of single faces, each actor and actress is on screen as long as he or she is in the original and each scene is exactly as long as it is in the original. This reconstruction, he notes, remains steadfastly true to its title

Benning continues his examination of Americana in this film through the stories of two murderers. Ed Gein was a Wisconsin farmer and multiple murderer who taxidermied his victims in the 1950s. Bernadette Protti was a California teenager who stabbed a friend to death over an insult in 1984.

O Panama features a man confined to his apartment on a winter day as he suffers through an illness. Built on the polarity between hot and cold, the tedious reality of the man's sickness and the vivid hallucinatory visions of his delirium, O Panama conveys the workings of the subconscious.

Los Angeles is depicted in 35 stationary shots, each 2½ minutes long, in this non-narrative film, part 2 of Benning's "California Trilogy".

Experimental filmmaker James Benning returns with this abstract documentary about California's Central Valley, part 1 of his "California Trilogy". Consisting of 35 shots, each over two minutes long, the film quietly portrays nature's subjugation to encroaching commercial interests. This film was screened at the 2000 Sundance Film Festival.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

The Fitzgerald classic as you've never seen it, transposed to a Los Angeles of sleek modern architecture and strip-mall foot clinics.

James Benning watches tv with a young girl.

Director James Benning turned his attention to the digital world in YouTube Trilogy, organizing found material around three thematic clusters.

A film looking at the past to warn about the future, from a little boy's point of view. A companion to ‘American Dreams (lost and found)’ (1984)

James Benning's "Four Corners" uses a specific geographical location to pose larger questions about the United States. Here, the geographic and wholly imaginary place Four Corners, that favorite tourist destination where Colorado, New Mexico, Arizona, and Utah meet, becomes a kind of theoretical ground zero, the site from which Benning can give voice to other, pointedly unofficial American stories.

Filmed on November 21 and 22, 2018 in Valencia, California. A gibbous and full moon rising.

Using experimental narrative structure as his vehicle, Benning recreates the sensationalized and controversial circumstances surrounding Lorencia Bembenek, aka "Bambi", former "Playboy bunny" turned cop, turned accused and convicted killer who disappeared after a daring escape from prison. The film shows the evolution of Benning's and Bembenek's relationship presented through their actual letters read in voice over which depict the filmmaker's curiosity with the subject as it evolves from intrigue to a love obsession.

The owner of a failing inn and his roadkill collector friend devise a Bigfoot hoax to draw in tourists, but a Miccosukee Hunter is set to make sure that doesn’t happen.

Through diary entries and archival footage, the life of an industrial waste-dumper unfolds from youthful ambition to ecological disaster.