Mozart: Don Giovanni

Director Robert Carsen and his creative team flood the stage with summer blossoms, drifts of autumn leaves, winter snows and thunderous spring storms. The cast of 140 are attired in elegant costumes inspired by late 1940s Dior. This mythical tale of a young queen, Alphise, determined to abdicate rather than contemplate an enforced marriage to a descendant of Boreas, is nothing less than highly-charged.

1995 recorded performance of Charles Gounod's Faust at the Grand Théâtre de Genève, with conductor John Nelson.

Oedipus is the son of Laius. Unknowingly, he killed his father, married his mother, and fathered four children, who are his siblings. A work by Sophocles, directed by Robert Carsen, dramaturgy by Ian Burton, translation by Francesco Morosi. The show was revived as part of the 57th season of the INDA Foundation at the Greek Theater in Syracuse.

Blind and wandering, Oedipus arrives in Colonus, near Athens, supported by Antigone and then also by Ismene. Everyone avoided him, but now everyone seeks him, because the city that will have his tomb will be invincible, according to the oracles. Oedipus drives everyone away and, accompanied by the Athenian king Theseus, sets off towards death. Directed by Robert Carsen.

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask

A production of Lully's 1686 tragédie lyrique masterpiece directed by William Christie at the Théâtre des Champs-Elysées from 2008.

A dream cast assembles for Strauss’s grand Viennese comedy. Soprano Lise Davidsen is the aging Marschallin, opposite mezzo-soprano Isabel Leonard as her lover Octavian and soprano Erin Morley as Sophie, the beautiful younger woman who steals his heart. Bass Günther Groissböck returns as the churlish Baron Ochs, and baritone Markus Brück is Sophie’s wealthy father, Faninal. Maestro Simone Young takes the Met podium to oversee Robert Carsen’s fin-de-siècle staging.

Baritone Michael Volle stars as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance, in Verdi’s glorious Shakespearean comedy. Maestro Daniele Rustioni takes the podium to oversee a brilliant ensemble cast that features sopranos Hera Hyesang Park and Ailyn Pérez, mezzo-soprano Jennifer Johnson Cano, contralto Marie-Nicole Lemieux, tenor Bogdan Volkov, and baritone Christopher Maltman.

The oppressive atmosphere before a storm and the tragic fate of a tormented young woman form the indivisible elements of "Katia Kabanova". The opera's action is set in a small Russian village around 1860 and represents the annihilation and subsequent suicide of Katerina Kabanova, a sensitive young woman married to a weak man and bullied by her mother-in-law, who is searching for liberation through love and ends her life consumed by remorse for her infidelity. The story's common denominator is the Volga river, a witness of the main character's hapless family relations and her frustrated passion, and in whose merciful waters she finally finds peace. The adaptation into the Czech language of Ostrovsky's tragic play "The Storm" allowed Janáček to create one of his most outstanding operas, in which the conciseness and intensity of the musical language are merged with the dramatic force of his libretto. This is the Teatro Madrid Production Recorded in December, 2008.

Opera by George Frideric Handel filmed on March 29, 2016 at the Theater in Vienna, Austria.

We are off on an excursion, two excursions in fact, in the company of a landlord from Prague, who is, let us say, a little rough around the edges. The first journey of Mr Brouček is to the Moon where our beer-drinking hero (literally ‘Mr Beetle’) meets the oh-so sophisticated Moon-dwellers. In the second, we travel through time to the early 15th century to a heroic period in Czech history when the Czechs fought off armies of crusaders from the rest of Europe. Will Mr Brouček fare any better in Prague circa 1420, when Czechs are on the eve of a famous victory defending their Hussite faith? For this new production from the heart of the composer’s home country, Janáček Festival Brno has entrusted the staging to the famous Canadian director, Robert Carsen who thus opens the 2024 Festival with this, his sixth production of a Janáček opera.

Based on a true story, the "Dialogues des Carmelites" sets the life of the Carmelites nuns at the dawn of the French Revolution. “Robert Carsen's production is effective in its simplicity, allowing the drama to speak for itself. Dagmar Schellenberger compellingly conveys Blanche's journey from distress to acceptance… Anja Silja's portrayal of the old Prioress is outstanding, with its disturbing transformation from serene wisdom to terrified, blasphemous, near-madness as death approaches. ...Riccardo Muti and the La Scala orchestra in magnificent form, captured in magnificent sound. Ultimately, it is the final scene, with its multiple executions, that makes or breaks a production of Dialogues. Carsen's allegorical solution is both elegant and deeply moving.” BBC Music Magazine, September 2007

A young woman in love with a composer is forced by her mother to take a rich suitor. When the two lovers are reunited years later, happiness is theirs for the taking, but a tragedy happens that changes everything. Robert Carsen’s premiere of Destiny opened the 2020 edition of the Janáček Brno Festival (International Opera Award winner 2019). It comprises some of Janáček’s most magnificent music, which sways from the peaks of romantic rapture to the depths of desperation and back again.

An early baroque masterpiece, Monteverdi's L’incoronazione di Poppea was inspired by The Annals by Tacitus and celebrates the love of the emperor Nero and the courtesan Poppea. Filmed at the 2008 Glyndebourne Festival, Robert Carsen’s production brings together Danielle de Niese, Alice Coote and the Orchestra of the Age of Enlightenment under the direction of Emmanuelle Haïm.