Verdi: Falstaff

In the depths of the Rhine, the three Rhinemaidens guard the Rhinegold, a treasure of immeasurable value. The Nibelung dwarf Alberich is dazzled by the sight of it. The girls explain that whoever wins the gold and forges it into a ring will gain power over the world, but must first renounce love. Frustrated by his unsuccessful attempts to catch one of the girls, Alberich curses love and steals the gold. Wotan, lord of the gods, is reproached by his wife Fricka: he has promised to give Freia, goddess of youth, to the giants Fasolt and Fafner in return for their building a fortress for the gods. When the giants demand their reward, Loge, the god of fire, suggests an alternative payment: the ring Alberich has forged from the Rhinegold, and his other treasures. The giants agree, and Wotan and Loge leave for the Nibelungs’ underground home.

Six young people from New York City, on their own and struggling to survive in the real world, find the companionship, comfort and support they get from each other to be the perfect antidote to the pressures of life.

Ring Cycle, pt 4. Siegfried is drugged and tricked into kidnapping his wife, since she has the Ring now. More double-crossings, Siegfried ends up dead. Brunnhilde has had enough of this, tosses the Ring into the river and torches the place.

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.

Live performance from the Metropolitan Opera, March 1, 2014. Absent from the Met stage since 1917, Borodin’s masterwork about an introspective prince’s military campaign against the invading Polovtsians returned in 2014 with a first-rate cast and an astonishing production by Dmitri Tcherniakov. Well worth the wait, the sets feature visually striking projections interlaced with lush flowering fields, and the first act delivers one of opera’s most exciting dance medleys, a portion of which went mainstream in the 1950s when Tony Bennett recorded “Stranger in Paradise.”

Soprano Anna Netrebko appears in her highly anticipated Met role debut as Leonora, the tortured heroine who sacrifices her own life for the love of the Gypsy troubadour. Dmitri Hvorostovsky sings Count di Luna, Yonghoon Lee is Manrico in his Met role debut as the title character, Dolora Zajick sings her signature role of the gypsy Azucena, and Štefan Kocán is Ferrando. Marco Armiliato conducts Sir David McVicar’s Goya-inspired production.

A 15-year-old fashionista lands the opportunity of a lifetime when the CEO of Mad Style hires her as the vice president of its youth apparel division.

Any new Met production of Verdi’s beloved tragedy La Traviata would be noteworthy, but Michael Mayer’s dazzling staging, which premiered during the 2018–19 season, was doubly significant as it marked Yannick Nézet-Séguin’s first performances as the Met’s Jeanette Lerman-Neubauer Music Director. On the podium for this Live in HD transmission, Nézet-Séguin leads a starry ensemble. As Violetta, the consumptive heroine fighting to find true happiness, soprano Diana Damrau delivers yet another compelling portrayal on the Met stage. Tenor Juan Diego Flórez sings his first Verdi role with the company, as Violetta’s ardent yet impetuous lover, Alfredo, and baritone Quinn Kelsey rounds out the principal cast as Giorgio Germont, Alfredo’s implacable father.

On her sixteenth birthday, Sabrina Spellman discovers she has magical powers. She lives with her 600-year-old aunts Hilda and Zelda as well as talking cat Salem in the fictional town of Westbridge, Massachusetts.

Kids Incorporated, also known as Kids Inc., was an American children's television program. It was largely a youth-oriented program with musical performances as an integral part of each and every storyline. The pilot episode was shot in September 1, 1983. The show aired in September 1, 1984 and ended in February 9, 1994. Reruns aired on Disney Channel until May 30, 1996.

Adventures in Wonderland is a live-action musical television series based on Walt Disney's animated classic Alice in Wonderland. In the series, Alice, was portrayed as a girl who can go to and from Wonderland simply by walking through her mirror.

Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy Award Winner for Best Opera Recording, is now available as individual DVDs. Siegfried features Bryn Terfel, Jay Hunter Morris, and Deborah Voigt, with Fabio Luisi conducting.

A blue-collar family man grapples with life's challenges while trying to maintain his marriage, raise his young daughter, and deal with the eccentricities of his friends and neighbors.

A hedonistic jingle writer's free-wheeling life comes to an abrupt halt when his brother and 10-year-old nephew move into his beach-front house.

Muppets Tonight is a live-action/puppet television series created by Jim Henson Productions and featuring The Muppets. Much like the "MuppeTelevision" segment of The Jim Henson Hour, Muppets Tonight was a continuation of The Muppet Show, set in a television studio, rather than a theater. It ran on ABC from 1996 to 1998 and reruns ran on Disney Channel from 1997 to 2002. As of 2013, it is the last television series to star The Muppets characters.

Aan irreverent and outrageous take on true family love‐and dysfunction. Newly sober single mom Christy struggles to raise two children in a world full of temptations and pitfalls. Testing her sobriety is her formerly estranged mother, now back in Christy's life and eager to share passive-aggressive insights into her daughter's many mistakes.