Mozart: Idomeneo Teatro Real de Madrid

1995 recorded performance of Charles Gounod's Faust at the Grand Théâtre de Genève, with conductor John Nelson.

Director Robert Carsen and his creative team flood the stage with summer blossoms, drifts of autumn leaves, winter snows and thunderous spring storms. The cast of 140 are attired in elegant costumes inspired by late 1940s Dior. This mythical tale of a young queen, Alphise, determined to abdicate rather than contemplate an enforced marriage to a descendant of Boreas, is nothing less than highly-charged.

Oedipus is the son of Laius. Unknowingly, he killed his father, married his mother, and fathered four children, who are his siblings. A work by Sophocles, directed by Robert Carsen, dramaturgy by Ian Burton, translation by Francesco Morosi. The show was revived as part of the 57th season of the INDA Foundation at the Greek Theater in Syracuse.

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask

A production of Lully's 1686 tragédie lyrique masterpiece directed by William Christie at the Théâtre des Champs-Elysées from 2008.

Baritone Michael Volle stars as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance, in Verdi’s glorious Shakespearean comedy. Maestro Daniele Rustioni takes the podium to oversee a brilliant ensemble cast that features sopranos Hera Hyesang Park and Ailyn Pérez, mezzo-soprano Jennifer Johnson Cano, contralto Marie-Nicole Lemieux, tenor Bogdan Volkov, and baritone Christopher Maltman.

Robert Carsen's production of Benjamin Britten's opera for Gran Teatre del Liceu, Barcelona.

Opera by George Frideric Handel filmed on March 29, 2016 at the Theater in Vienna, Austria.

Candide is an operetta with music composed by Leonard Bernstein, based on the 1759 novella of the same name by Voltaire. In 2006, in honor of the 50th anniversary of the creation of Candide, the Théâtre du Châtelet in Paris produced a new production under the direction of Robert Carsen. The production transforms the proscenium into a giant 1950s-era TV set, and has Voltaire, appearing as the narrator, changing channels between certain scenes. Carsen sets the action in a 1950s/1960s world, with an American slant commenting on contemporary world politics. This production was filmed and broadcast on Arte.

The oppressive atmosphere before a storm and the tragic fate of a tormented young woman form the indivisible elements of "Katia Kabanova". The opera's action is set in a small Russian village around 1860 and represents the annihilation and subsequent suicide of Katerina Kabanova, a sensitive young woman married to a weak man and bullied by her mother-in-law, who is searching for liberation through love and ends her life consumed by remorse for her infidelity. The story's common denominator is the Volga river, a witness of the main character's hapless family relations and her frustrated passion, and in whose merciful waters she finally finds peace. The adaptation into the Czech language of Ostrovsky's tragic play "The Storm" allowed Janáček to create one of his most outstanding operas, in which the conciseness and intensity of the musical language are merged with the dramatic force of his libretto. This is the Teatro Madrid Production Recorded in December, 2008.

From the Teatro dell'Opera di Roma, the world premiere of “Julius Caesar” with music by Giorgio Battistelli. Orchestra and chorus of the Teatro dell'Opera di Roma, conducted by Daniele Gatti, directed by Robert Carsen.

An all-star cast featuring Deutsche Grammophon artist Anna Netrebko, Bryn Terfel and Anna Prohaska, delivers a sensational new recording of Mozart’s Don Giovanni, conducted by Daniel Barenboim at the start of his inaugural season as Music Director of La Scala. Recorded live at the opening of the 2011-12 La Scala season, Don Giovanni is now set to be released in time for Bryn Terfel’s 50th birthday on 9 November 2015. It also ties in with the traditional opening of the new season at La Scala – 7 December, the feast-day of St Ambrose, patron saint of Milan.

The pain of unrequited love is portrayed unforgettably by two of today’s greatest stars. Renée Fleming is musically and dramatically radiant as the shy Tatiana, who falls in love with the worldly Onegin, played with devastating charisma by Dmitri Hvorostovsky. Their mesmerizing vocalism and chemistry explode in one of opera’s most heartbreaking final scenes. With Valery Gergiev on the podium conducting Tchaikovsky’s passionate score, this performance is one for the ages.

An arresting and star-studded production of Mozart’s Singspiel nonpareil: in the 2013 Baden-Baden Easter Festival, a group of outstanding soloists joined Sir Simon Rattle and the Berliner Philharmoniker for Die Zauberflöte in an attractive and naturalistic staging by Robert Carsen.