Siempre hay un camino a la derecha

With the help of drawings and comic strips. brings together short films, on children's themes, in which rights that children and adults should enjoy are defended. For the first time, a whole series of important Spanish directors meet to make a children's film.

Lorenzo is a young man returns to Spain after spending some time in England, where he fell in love with Berta, the daughter of Spanish immigrants. Lorenzo writes several letters to her trying to convey the beauty of the world her parents left behind.

Three veterans of the Spanish Civil War go rabbit hunting. While doing so, old wounds open up.

Young Anabel mistakes a woman for her dead mother.

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

Fifteen years after the plot a lawyer and a military ex-attorney meet and recall the intense days of 1975 when both participated in the decission of war or peace. The film is told in flashbacks of the two protagonists.

In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

A German documentary filmmaker travels to Madrid to do a TV program about the city and the Spanish civil war commemorating its 50th anniversary.

Juan is now in his fifties, has a protruding belly, dyes his hair gray and lives alone with a cat who has urinary problems, but despite this, women still find him attractive.

Chusa shares a flat in central Madrid with her cousin Jaime and her lover Alberto. The group makes ends meet by smuggling and selling drugs from Morocco. They take in a naive young woman, Elena, and decide to include her in their next scheme although this will prove complicated.

In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

Tatin is a young man of fifteen years old who joins a violent group of extreme right-wing ideology, led by Blanca, a mature woman of influential personality.

In Santa Fe de Tierra Firme, an imaginary Latin American country, the indigenous dictator Santos Banderas rules with an iron fist. A group of rebels trying to seize power by force while some liberals try a change of government legally.

Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.

A family, expelled from their shack, occupies the museum in Cordoba where once lived the prince who, in his youth, was the grandmother's lover. The curators and administrators of the museum, aided by a couple of inexperienced policemen, harass the squatters to force them to leave.