The Leguminous Monster from Outer Space

The Vegetable Monster survived the shot fired at the end of Part 1. Wounded, he is saved by a shy veterinarian who is abused by the rude colonists of southern Brazil, and who will use the alien plant creature as an instrument of revenge.

A group of girls devouring pervert men.

Justine, is a famous TV commercial actress raised by adoptive parents. She is invited to meet her biological family at a party that celebrates her blood parents' successful business: a butcher shop. Thus, the plot unfolds with a series of bizarre and sinister events surrounding these new familiars and the secret of their success.

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

2020, Brazil is ruled by a military crentecracy in alliance with the great agribusiness industry and the armament industry. Free thinking has become a major barrier to the Brazilian government. Anarchists, teachers, artists, small organic farmers, independent publishers and freethinkers have become the new Witches of the 21st Century and are the main targets of this crusade against wisdom. Thus, the Brazilian government created small groups of catechists who visit infidels who dare to think freely, with the mission of purifying their souls.

Dr. Rottenberg, the greatest Martian scientist, comes to Planet Earth to make preparations for a wild invasion involving re-animated Earth bodies, Martian zombies and teenagers playing in the woods. Criaturas Hediondas is one of the first Brazilian Shot On Video (SOV) to have national distribution via VHS tapes that were marketed in stands at grindcore, death metal and punks shows, becoming a reference (at the time) in the national underground. The video was filmed with a VHS camera and mounted from video to video, in an analog way.

It's a film about the world today, about the need for a revolution, an uprising of the masses against the exploiters, so that the financial system can be completely rethought. It's an anarchist vision of the chaos we need for this change to occur (because anarchism is not mess, it's mutual support and solidarity). Of course, in 4 minutes there's no way to theorize about something so complex, but given the inequalities of today we have to do something, even if it's a short 4-minute short that, perhaps, awakens the inner revolutionary of those who watch (or not ).

Jesus Christ returns to planet Earth and is beaten up by the Christian community, which takes great pleasure in showing him christian affection!

Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

About animals and their food.

Worshipers of a satanic cult perform a ritual that releases a murderous demon.

"Crise existencial" from Petter Baiestorf. Brazil, 1998

Documentary about the production of independent horror films in Brazil, made by third-year students of the Senac audiovisual course in 2008.

Record of the rehearsal of the band Amsanctus in which the actor and film editor from Canibal, E.B. Toniolli, played. The master of the document, lasting about 30 minutes, was not found. The work was partially recovered from the feature "The Cannibals-Mabusiânus also dance Vol. 1" where it had been partially used.

A gang of criminals is taken by surprise by colonists contaminated by a drug (tested by the government) that unleashes their murderous instincts.