Leomar Wazlawick

Three cannibal brothers are visited by their cousins and see a great gastronomic opportunity.

Jesus Christ returns to planet Earth and is beaten up by the Christian community, which takes great pleasure in showing him christian affection!

Dr. Rottenberg, the greatest Martian scientist, comes to Planet Earth to make preparations for a wild invasion involving re-animated Earth bodies, Martian zombies and teenagers playing in the woods. Criaturas Hediondas is one of the first Brazilian Shot On Video (SOV) to have national distribution via VHS tapes that were marketed in stands at grindcore, death metal and punks shows, becoming a reference (at the time) in the national underground. The video was filmed with a VHS camera and mounted from video to video, in an analog way.

Dr. Karloff prisons an alien from the Leguminous Planet and calls his friend Dr. Marins to help him in his experiences, because the Leguminous Monster is an anarchist intellectual full of hate against the human beings. While the scientists discuss about the monster, Caquinha is convinced for him to let him go. Done that, the Monster kills the scientists and kills everyone he finds in his way.

This was my first attempt at making a movie. It was unabashedly inspired by Edward D. Wood Jr.'s Plan 9 from Outer Space (1959), one of the culprits in making me want to write increasingly meaningless scripts (the other is Jesus Franco). Until the second order, the 20-minute copy of this film, which was never edited, is lost.

After refusing to pay their property taxes, a house of cannibals prey on the government workers who come to collect.

The day after the carnage initiated by the Martian scientist, a fleet of spacecraft from Mars is called upon to invade Earth, but Dr. Rottenberg's plans are hampered by two NASA officials, Detective Johnson and Dr. Nagib, called in to investigate. the case.

A desperate gore short created by reusing scenes from the feature "They Eat Your Flesh" that the director was filming at the time. The short was edited for a Spanish gore film festival and to help raise more money to finish the main film.

Three compulsive and clumsy gamblers are in debt to a loan shark and end up tortured in a basement, where they plan a desperate escape.

In 1992, a group of teenagers began recording horror films with VHS cameras in Palmitos, in the west of Santa Catarina, Brazil. Led by Santa Catarina director Petter Baiestorf, the production company came to be called Canibal Filmes. Far from large urban centers and in times of stagnation in Brazilian cinema, the group learned in practice how to make low-budget cinema. The films found their own way of financing and showing to the public. Through reports, photographs, documents and videos, the documentary covers Canibal's early years, retracing the group's efforts and challenges in making independent cinema in a region with no cinematic tradition.