E.B. Toniolli

Record of the rehearsal of the band Amsanctus in which the actor and film editor from Canibal, E.B. Toniolli, played. The master of the document, lasting about 30 minutes, was not found. The work was partially recovered from the feature "The Cannibals-Mabusiânus also dance Vol. 1" where it had been partially used.

17 self-taught directors come together to give new meaning to their work in the form of 20 new episodes that are part of the feature film "Noisy Silencers", an extrasensory video experience that takes us on a journey through the history of cinema, from the 1880s to the present in a tangle of deliriums of the seventh art.

Dr. Rottenberg, the greatest Martian scientist, comes to Planet Earth to make preparations for a wild invasion involving re-animated Earth bodies, Martian zombies and teenagers playing in the woods. Criaturas Hediondas is one of the first Brazilian Shot On Video (SOV) to have national distribution via VHS tapes that were marketed in stands at grindcore, death metal and punks shows, becoming a reference (at the time) in the national underground. The video was filmed with a VHS camera and mounted from video to video, in an analog way.

Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

A gang of criminals is taken by surprise by colonists contaminated by a drug (tested by the government) that unleashes their murderous instincts.

It's a film about the world today, about the need for a revolution, an uprising of the masses against the exploiters, so that the financial system can be completely rethought. It's an anarchist vision of the chaos we need for this change to occur (because anarchism is not mess, it's mutual support and solidarity). Of course, in 4 minutes there's no way to theorize about something so complex, but given the inequalities of today we have to do something, even if it's a short 4-minute short that, perhaps, awakens the inner revolutionary of those who watch (or not ).

Jesus Christ returns to planet Earth and is beaten up by the Christian community, which takes great pleasure in showing him christian affection!

A bunch of young people spend a day in the cemetery making gothic poetry and acting evil.

The debut of actor E.B.Toniolli ("The Vegetable Monster from Space", "They Eat Your Meat") as a director / screenwriter in this fun short film that pays homage to the ridiculous monster films of the 50s. A job for nostalgic people.

2020, Brazil is ruled by a military crentecracy in alliance with the great agribusiness industry and the armament industry. Free thinking has become a major barrier to the Brazilian government. Anarchists, teachers, artists, small organic farmers, independent publishers and freethinkers have become the new Witches of the 21st Century and are the main targets of this crusade against wisdom. Thus, the Brazilian government created small groups of catechists who visit infidels who dare to think freely, with the mission of purifying their souls.

Two perverted homosexuals stop being gay and become necrophilic and coprophagic killers after one of them cuts his penis off.

After refusing to pay their property taxes, a house of cannibals prey on the government workers who come to collect.

Dr. Karloff prisons an alien from the Leguminous Planet and calls his friend Dr. Marins to help him in his experiences, because the Leguminous Monster is an anarchist intellectual full of hate against the human beings. While the scientists discuss about the monster, Caquinha is convinced for him to let him go. Done that, the Monster kills the scientists and kills everyone he finds in his way.

The day after the carnage initiated by the Martian scientist, a fleet of spacecraft from Mars is called upon to invade Earth, but Dr. Rottenberg's plans are hampered by two NASA officials, Detective Johnson and Dr. Nagib, called in to investigate. the case.

When the nephew needs to spend a day at his uncle's house, he realizes in the worst way that he is no longer the same, he is much worse than normal, he has become a patriot, in the worst definition of the type.

This was my first attempt at making a movie. It was unabashedly inspired by Edward D. Wood Jr.'s Plan 9 from Outer Space (1959), one of the culprits in making me want to write increasingly meaningless scripts (the other is Jesus Franco). Until the second order, the 20-minute copy of this film, which was never edited, is lost.

This film portrays the strength that art has in surviving the megalithic tricks and repressions that the State manipulates towards its compatriots. The colors reflecting the dominance over the being, which, if not thinking, is tortured by its religious, political and academic doctrines, staining and building the States with drops of blood, but the art subjugated and repressed by lobotomized intellectuals of the three doctrines is what we hang and endure our arts and our values in the face of a bankrupt ethics/morality, a false truthfulness created only for the purpose of dominating one another. This art of ours survives and grows stronger as we fight to open up the bulging eyes of our society, already manipulated into being blind, deaf and mute. Our art doesn't speak, it screams! Scream! For only then can ears clogged with false sermons be unblocked like a vase full of shit overflowing with anguish.

It seemed like just another routine day of work in the fields, but out of nowhere emerges Bill Navalha—a cold, bloodthirsty psychopath whose sole aim is to kill and dismember his victims: unsuspecting, naive farmers. What motives drive the insane mind of a man to commit such acts of savagery and cruelty against his fellow human beings?

Baiestorf's experiments with an old TV, a VHS camera and a leaky bucket. filmed in 2001.