De carne somos

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

A new vision of the Knight of the sad figure, which lives obsessed by the chivalry and its codes of honor. Accompanied by his unusual squire Sancho Panza, Don Quixote recalls some of the adventures they've shared.

A poor, but very lucky man in the cock fighting business, is hired by a rich man, but both are in love with the same woman.

A mousy, poor manicurist seeks to switch places with her more glamorous, wealthy twin sister.

Antonio, a millionaire, gifts his wife a statue of a naked, kneeling woman for their wedding anniversary.

This Mexican melodrama may have been released above the border as After the Storm. The principal characters are a pair of twin lighthouse keepers. They try their best to live together with their wives under the same roof, but the delicate balance is shattered when one of the brothers falls in love with his sister-in-law. When one twin is lost during a storm, the other assumes his identity, with the expected romantic complications. If Despues de la Termenta sounds familiar, it is because the screenplay was inspired by the 1946 Bette Davis vehicle A Stolen Life.

Marta is obsessed with protecting her son from the genetic predisposition to schizophrenia that she has hidden from her husband.

Alberto Robles, a young doctor, is faced with the decision to surrender to a life full of comforts and luxuries or to continue dedicating himself body and soul to serving those who need it most.

Professional gambler finds metaphysical meanings in the way he manages the workings of chance.

During the early XX Century, a lovely woman dancer has an amazing success in a place called "Cafe Concordia". She is courting by many men, buts he is in love with Ernesto, a young man whose parents are against their relationship. Ernesto invites Raquel to a party at his home but she is snubbed by his mother and offended by a slighted pretender. Ernesto faces this man in a duel in which he is about to be killed by his rival, but Raquel protects his body and receives the bullet. She dies in Ernesto's arms.

A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.

Historical drama/biopic about 1880s Social Justice bandits in a mining community in Sinaloa. First of three in series.

Globe-hopping playboy bachelor is getting on in years, so he invites his five international children to come live with him.

A man goes on a trip and then returns to his village pretending that everything went well for him.

Third and last film in the trilogy about Heraclio Bernal. Heraclio continues his fight against the Federales in the Juarista era.

Little Pablito is the ten year old son of a cruel horse trainer. The trainer is responsible for training a Mexican General's horse to jump for the grand race. The trainer's methods cause the horse to become afraid of jumping and the general orders the animal's death. Pablito runs away with the horse, becoming a fugitive. He travels throughout Mexico encountering several fugitives and a priest who tries to help.