Roberto Gavaldón

Directing

Roberto Gavaldón

Born June 7, 1909 · Jimenez, Chihuahua, Mexico

Died September 4, 1986 · aged 77

Roberto Gavaldón was a Mexican film director. Eight of Gavaldón's films were featured on the list 100 Best Movies of the Cinema of Mexico. His 1958 film Ash Wednesday was entered into the 8th Berlin International Film Festival and his 1959 film Beyond All Limits was entered into the following years festival. His 1960 film Macario was nominated for an Academy Award for Best Foreign Language Film, …

Known For

MacarioMacario · 1960
Macario
8.71960
MovieDramaFantasy
Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.
La playa vacíaLa playa vacía · 1977
La playa vacía
4.31977
MovieDrama
Ends the season and Victoria, widow, mature and owns the beachside motel, does not want to spend another winter alone. To avoid it, buy the company of Paul to continue working for her. Paul agrees, provided remain free and enjoy other women. Days after reaching the motel Gloria, a beautiful biologist who claims to be working on a book and, to the surprise of Paul, seems to know everything about Victoria and her past.
Café ConcordiaCafé Concordia · 1939
Café Concordia
6.31939
MovieDrama
During the early XX Century, a lovely woman dancer has an amazing success in a place called "Cafe Concordia". She is courting by many men, buts he is in love with Ernesto, a young man whose parents are against their relationship. Ernesto invites Raquel to a party at his home but she is snubbed by his mother and offended by a slighted pretender. Ernesto faces this man in a duel in which he is about to be killed by his rival, but Raquel protects his body and receives the bullet. She dies in Ernesto's arms.
NanáNaná · 1944
Naná
4.01944
MovieDrama
Based in the Émile Zola novel of the same name, which details the life of Nana, a French prostitute of the 19th century.
The Hidden OneThe Hidden One · 1956
The Hidden One
5.31956
MovieDramaWestern
Amid the Mexican Revolution, a woman rises from the depths of poverty and becomes a courtesan who is much-sought-after by high-society men, but she cannot forget her love for a rebel leader.
El niño de las monjasEl niño de las monjas · 1944
El niño de las monjas
6.71944
MovieDramaRomance
It tells the story of a boy from an orphanage, raised in a convent, who saves a young woman who supports the institution from being gored by a bull, and later leaves the convent to follow the girl he had helped and to become a bullfighter.
DivorciadasDivorciadas · 1943
Divorciadas
6.21943
MovieDramaRomance
Divorciadas tells the story of three women: Cristina, recently divorced after refusing to endure her husband's lack of love, especially following the death of their young son; Carmen, divorced for many years and living on the fortune left to her by her late husband, leading a free and unconventional life; and Juanita, an employee at the courthouse where she meets Cristina, married but long abandoned by her husband.
Soledad's ShawlSoledad's Shawl · 1952
Soledad's Shawl
6.51952
MovieDrama
Alberto Robles, a young doctor, is faced with the decision to surrender to a life full of comforts and luxuries or to continue dedicating himself body and soul to serving those who need it most.

Filmography

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Prisoner 13Prisoner 13 · 1933
Prisoner 13
6.71933
MovieDrama
Colonel Carrasco's wife Marta leaves him taking his young son. The child, Juan, grows into an admirable and well-mannered young man. Having been promoted to a higher rank of power amidst the Mexican Revolution, the indulgent and corrupt Colonel accepts a bribe to free a revolutionary, Felipe Martinez, from his prison. Martinez has been sentenced to execution at the hands of a firing squad. Carrasco asks to have the revolutionary replaced by absolutely anyone. In a twist of fate, that anyone turns out to be his own long lost son Juan. Upon receiving this news, Marta races to the prison and explains the predicament to Carrasco. He subsequently desperately attempts to prevent the gunning down of his son by his very own government officials.

Prisoner