The Faun

The great Italian opera composer recalls his eventful life on his deathbed: his childhood in Busseto, his studies in Milan, his first opera "Oberto, conte di San Bonifacio", the death of his wife and his children killed by smallpox.

Cruel and ignorant, Matthew Ryan threatens to destroy his business competitor, Schuyler, unless Schuyler's daughter Marion succumbs to his demands, Marion likens Ryan to Attila the Hun. Puzzled by Marion's reference, Ryan returns home to read an account of Attila. Falling asleep while reading, he dreams of a mysterious figure who draws parallels between Ryan and Attila. Attila is depicted as a cruel and brutish figure who wreaks havoc across the Eastern Empire, until finally meeting his death at the hands of his abused bride. Upon awakening, Ryan is so deeply affected by his experiences that he begs forgiveness for his vicious behavior and frees Marion from his demands.

Directed by Dante Testa and Gino Zaccaria.

Foreign spies steal the formula for a revolutionary explosive created by an Italian scientist and to decrypt the secret code they kidnap his secretary who knows about it.

A film based on Gabriele D'Annunzio's novel The Flame. Pina Menichelli plays a vamp who ruins a painter's life just for the fun of it.

Dame Eleonora Duse plays a poor woman who, incapable of raising and feed him, leaves her illegitimate son with foster parents. Before she leaves her boy, the woman gives to the child an amulet in order to protect him. The amulet will be the key to put him in connection with his old mother when the boy grows up.

"Tigre Reale" (1916) was the film that consolidated Frau Menichelli's stardom, a film more than suitable for her performing skills and silent idiosyncrasy that any silent diva would kill to star in… In "Tigre Reale", Frau Menichelli performs the part of Frau Natka, a Russian countess with a troublesome past and an uncertain future. She was married to a revolutionary and the matrimony ended in tragedy. She likes to flirt with men but due to her traumatic sentimental past, she doesn't allow herself attachments. That is until she meets a young diplomat who will help her to make up her mind and exorcize her old sentimental traumas.

A woman and a mistress fight.

Compiled by The Museum of Modern Art Film Library in 1938, the film is a glimpse of the early 20th century’s finest stage performers— Gabrielle Réjane, Eleonora Duse, Sarah Bernhardt, and Minnie Maddern Fiske. The compliation contains excerpts from four films, adapted from four timeless stories: Madame Sans-Gêne (1911), Cenere (1916), La Dame aux Camélias (1912), and Vanity Fair (1915).