Vasco Creti

In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.

A ferryman assists a woman who had a car accident and falls in love with her. When she leaves suddenly, he sets out to find her.

The story is the harried attempt of a Sicilian partisan, as part of the risorgimento, to reach Garibaldi's headquarters in Northern Italy, and to petition the revered revolutionary to rescue part of his besieged land. Along the way, the peasant hero encounters many colorful Italians, differing in class and age, and holding political opinions of every type. There is a key train scene, and the film ends on the battlefield, Italian unification a success, despite brutal losses.

During a reception in a villa, wealthy banker Calandri is killed in the park with a gunshot. The gamekeeper Barra is immediately arrested, but he declares himself innocent. During the trial it turns out that the defendant had threatened the victim, guilty of courting his sister-in-law. But the deposition of a journalist present at the party soon leads to discover the existence of a dense network of equivocal relations between the victim, the guests and the servants. This judicial setting drama is allegedly the second Italian sound film after "The Song of Love", made using the RCA Photophone recording technique, and is also considered to be the first Italian detective film, a precursor to the later genre of Giallo films.

A killer is on the loose, murdering people with an iron claw.

A bankrupt aristocrat tries to keep up appearances while his situation worsens. To top it off the life savings given to him by a beggar to invest has been mistakenly claimed by the aristocrat's altruist society for their annual Feast of the Poor.

Sole is the first film by the great Alessandro Blasetti and bears a complex relationship to the reclamation of the Pontine Marshes, a seminal event in Fascist political history.

An electronic engineer is called by the Hungarian Television Directorate to test the new television installations. He arrives in the capital, Budapest, together with his girlfriend.

The model Fede loves the writer Arte, but he is enmeshed by the beautiful Femmina. Fede takes comfort in the Faun, a mythological creature who becomes animated from the stone sculpted by Arte. The love story with the Faun represents a return to a dreamt wildness impossible by now, for the modern man, to reach and maintain.

The Duke Marco visits to his country side estate after many years absence. His farmers wants him to stay and run the place while his lover wants him to sell it. All while a farmers daughter also enters his life.

Young Italian journalist Stefano Andriani travels to Albania, where he falls in love with Eliana, a local girl, and she with him. One day, Andriani comes across the tribal chief Hasslan Haidar, an opponent of King Zog's regime, wounded by the royal guards. He saves him, taking him to his village, and makes a "blood pact" with him, which makes them brothers. Later, the journalist accidentally discovers that the tribal chief is Eliana's brother, and he must therefore give up his plans for marriage. In addition, the chief of police in Tirana tries to exploit the situation to turn Hasslan against Andriani. The arrival of Italian troops, who conquer Albania, resolves everything and allows the misunderstanding to be cleared up.

Ajax accidentily startles Socrates, the pet parrot of his fiancé Annita, causing him to fly away through an open window. Annita says she will not marry Ajax until he returns Socrates to her. In his international search for the parrot, Ajax accidentally becomes a wanted man everywhere he goes.

Italian film from 1937 directed by Gennaro Righelli.