The Goldcabbage Family Gets the Vote

The family Gyldenkål is actually called Iversen, but have changed their name, after numerous problems with the IRS, loan sharks and employers. Using clever scams, the family builds up a reputation as a wealthy and respectable part of society.

The second film in the series about the enterprising Gyldenkål family. Now the family has climbed to the top of the social ladder, but unexpected demands from the tax authorities mean that a forced auction is imminent. So they embark on their biggest scam yet: defrauding Fidusbanken.

The main character is a little boy, whose sick grandfather lives in the attic. Every time the grandfather wants something, he hits his stick in the floor, which makes the boy believe his grandfather is a stick. The film deals with misunderstandings between adults and children, since children can perceive things differently than adults.

Shipping broker Landheim tries to save a failing theater, but falls in love. Is the broker a journalist, and the actress a prima donna? Who knows?

In the year 1646, Denmark is at peace. Only recently have the last occupying troops left Jutland, leaving behind the sad traces of iron heels. The administration has partially collapsed, the kingdom is short of money, and what money there is is unevenly distributed. This is the unusual and sad background to this unpretentious account.

A plane lands one day at Nairobi Airport in Kenya, and among the passengers is a young Danish girl, Eva Axelson, who immediately takes a carriage to the famous Hotel Norfolk. Her arrival causes no stir, but an advertisement she placed in the East African Standard three or four days earlier does—an advertisement in which she asks for information about her father, Carl Gustav Axelson, who was last seen in Kenya, and asks him or anyone who knows him to contact her at the Norfolk Hotel.

Semi documentary on a famous cycle race in Copenhagen. The story is about the competition between the riders as well as about their private and marital struggles.

In 1970s Denmark, the criminal police in a provincial town solve different criminal cases, when the police was dominated by men and DNA was not yet a tool in investigation.

In a large office building, a mysterious murder is committed, after which the body disappears. Lily Hansen, the building's helpful and talkative cleaning lady, is driving the detective investigating the case crazy with her interference. Of course, the mystery can only be solved with her help.

A group of young people want to change society, so they cut off the head of a statue of Christian IV. The head is hidden in the archives of Director Lund, where Anna has just been hired. Anna teaches Director Lund to be young and liberated. Lund goes along with it but is ultimately betrayed by the group.

A crime-series in six parts. A woman has been killed in a apartment. The murder squad are on the case.

The Danish Ingen tid til Kaertegn (Be Dear to Me) is heavily reliant on the appeal of its star, 8-year-old Eva Cohn. Our heroine is the neglected child of a businessman father and actress mother. Feeling that happiness lies well outside her own backyard, Eva goes on a search for that happiness. The longer she stays away, the more her parents realize that they've unfairly ignored her. The plot is nothing new: it's what is done with it that pleases the eye and ear. Ingen tid til Kaertegn was one of the more popular entries in the 1957 Berlin Film Festival.

Jorden Er Flad or The Earth is Flat is based on the play Erasmus Montanus, from the classical era in Danish literature, by Ludvig Holberg. Director Henrik Stangerup had the play translated into Portuguese, and adapted it for filming in contemporary Brazil. In this comic movie, a group of villagers have scrimped and saved to send their fellow villager Erasmus Montanus (Fausto Wolff) away for an education. When the boy returns to his village, he is stuffed full of book-learning of a kind which is of absolutely no use to those of the village. The boy, rather than seeing his situation clearly, continues to spout learned platitudes, including the incredible observation, "the earth is round," supported by nothing other than his authority as an "educated man." Understandably, his posturing provokes derision.

A gentle comedy offering the promise of easy social consensus. Harry (Helmuth) is a simple old-time shop porter offered a chance at self-realisation when he's bequeathed a sum by an unknown relative (via several levels of fiscal blood suckers). He decides to engage a butler to take good care of him for a time. This is a man of distinguished upper class service, but a generous nature which happily integrates with Harry's small but colourful world of drinking buddies and crackpot neighbourhood kids.

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Bank director L.W. Jacobsen resides in a small provincial town. He is not particularly interested in his wife, Elsebeth, but rather in teacher and city council member Miss Mortensen. Thorsen, the town's manufacturer, is a member of the same city council group as Jacobsen. Then Don Olsen comes to town. Olsen is not interested in the upper class, but rather in people. By chance, Thorsen and Olsen meet and soon become drinking buddies. Thorsen drags the milkman's horse home to his apartment in the middle of the night. The scandal is a reality. Thorsen wants to flee, but with Olsen's help, he instead woos the townspeople and Miss Mortensen under the motto "Make good times better."