Birgitte Bruun

Forever bungling private investigator Henry Brilliant has been hired by Maxine de la Hunt to protect her step-daughter Marigold during her trip to Denmark. A real caring parent should have hired an army of P.I.s to protect Marigold from Mr. Brilliant. His name, he's not.

A new foreman, Huus, arrives in a sleepy Danish village, much to the delight of the unmarried women there. However, Huus becomes very friendly with Katinka and her husband, Bai, the stationmaster. Katinka, childless and in frail health, gradually falls in love with Huus, though her husband does not seem to notice. Based on the work by Herman Bang.

The final film in the Gyldenkål trilogy. Following a financial downturn, Charles Gyldenkål decides to run for municipal office. After an unconventional election campaign, he is elected to the city council and becomes the deciding vote in the mayoral election.

Grocer Skaarup wins the big prize in the lottery, and it almost makes several members of his family unhappy. Fortunately, everything turns out for the best – and all's well that ends well, as they say in this charming comedy set in 19th-century Copenhagen.

The second film in the series about the enterprising Gyldenkål family. Now the family has climbed to the top of the social ladder, but unexpected demands from the tax authorities mean that a forced auction is imminent. So they embark on their biggest scam yet: defrauding Fidusbanken.

Morten Arnfred's warm comedy Lykkevej (Move Me) begins with Sara (Birthe Neumann) being left by her husband of a quarter century. Sara gets a job and moves into a new home on a street populated by eccentrics. Neighbor Robert (Jesper Lohmann) showers in his backyard, has been in mourning since his wife's death, and annoys his neighbors by keeping junk on his front yard. Sara and Robert tentatively strike up a relationship, while a couple on the street, Sus and Bo (Ditte Grbl and Asger Reher), have their own marriage issues to deal with. Move Me was screened at the Gothenburg Film Festival.

Three young men discover a scam that three somewhat older gentlemen from Aarhus' upper class have set up to avoid bankruptcy. The gentlemen directors have both accounts and safe deposit boxes at the bank branch where one of the young men works, so it seems only natural to give the swindlers a taste of their own medicine, so to speak. The situation is further complicated when a journalist gets wind of the double heist and wants his share of the pie.

The family Gyldenkål is actually called Iversen, but have changed their name, after numerous problems with the IRS, loan sharks and employers. Using clever scams, the family builds up a reputation as a wealthy and respectable part of society.

The neighbourhood is tough. New-built concrete towers, which are not yet completely finished but already slum. Daily police raids. Daily suicide jumps from the roofs. Here lives Sally in a two-bedroom, with her parents and younger brother. Sally is dreaming big. She wants to be a fighter pilot, and she wants to be rich! She has already started her own business, collecting empty bottles and bits and pieces of scraps. And Sally don't care much for the immigrants in her area. She takes every opportunity to vent her inner racist. Turkish Zuhal move in with his family. "A new flock of Bedouins" Sally condescendingly comments. But what she does not know is that this will be one of the major turning points in her life ...

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.