Hellship Bronson

Ann Annington (Minter) writes book reviews for a newspaper and when a reporter fails his assignment to get an interview with the noted author Harold Hargrave (Glass), she undertakes to meet the young man. She rents the room next door to his work shop and by impersonating a maid soon wins his good graces.

When his honeymoon is over, Knox Randall shifts his attention from his wife Ailsa to his business. Feeling neglected, Ailsa accepts her sister-in-law Clarissa's advice that a little jealousy might re-ignite her husband's interest. Undertaking a harmless flirtation with playboy Porter Maddox, Ailsa discovers that Clarissa has fallen madly in love with Maddox, who is using her to accumulate confidential information regarding Wall Street secrets. When Ailsa overhears Clarissa making plans to elope with Maddox, she hurries to save her sister-in-law.

Although Jimmy Kirk earns only $7.50 a week as a soda jerk, he is ambitious and hopes to marry Mamie Smith, the bank president's daughter.

Joel Parker is sent to college by his crabby farmer father only because it was his mother's dying wish that he get an education. At college, he's immediately pegged as a chump and is constantly victimized by the other students, headed by Jimmie Slater. Only Abbie Nettleton, who works at the campus bakery, has any sympathy for him.

During a quarrel at a Scottish inn, Captain Gordon wounds another officer and flees to New York with detective Jenks on his trail. Once there, he meets Marjory Seaton, an heiress whom her Uncle Tidmarsh is trying to marry to the profligate Winslow, but she is interested in fashionable sportsman Sylvester. One night at a ball, Gordon spies Jenks following him and, in the course of his escape, accepts refuge from a fight promoter named Brooks. At Brooks' request, Gordon substitutes for Sylvester's opponent, burglar Deacon, at a charity bout, and knocks out the real pugilist. Later, during a dinner party at the Tidmarshes', Gordon is mistaken for a lord and, when the real nobleman appears, is denounced as an impostor. A lost film.

Informed by her doctor that she is going blind, Carol Trent tearfully breaks off her engagement with Don Manning, hoping to spare him the stigma of a sightless bride. When Hughes catches up with her and demands an explanation, Astor pretends to have fallen out of love with him and further convinces him that she has turned into a shameless hussy.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

Jerry Marsden, the son of a wealthy man, finds himself in a series of comedic misunderstandings. To prove a point or escape a social obligation, Jerry decides to take the place of his butler, who has been sentenced to a short stay in jail. While incarcerated, Jerry finds the experience surprisingly pleasant, as he receives special treatment and even manages to flirt with the jailer's daughter, Ruth Morrisey (Alice Day). Chaos ensues when his true identity is threatened and he must navigate the complexities of high society while technically being a "prisoner."

This 1929 drama about mistaken identities contains three eight minute scenes that involve talking. The rest of the film is silent and subtitled. The trouble begins when the hero follows a pretty lady aboard an ocean liner. He boards the ship using the name of his friend who was supposed to take the cruise for health reasons. The friend was told that if he did not board the boat, he would not receive his inheritance. Unfortunately for the hero, a male nurse believes that he is the sick friend and forces him to stay in the cabin and subsist upon a diet of goat's milk.

When an out-of-work Chicagoan travels west as a hobo on a freight train, he finds himself falsely accused of murder.

Released on July 3, 1927

A European prince is raised in America without knowing his true identity; he spends his time thrill-seeking, but his country needs him when a revolt threatens the crown.

A woman living in Paris feels neglected by her husband, so she decides to go to New York City and enjoy herself.

Double or Nothing is a 1936 American short musical comedy film directed by Joseph Henabery. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel). Preserved by the Academy Film Archive in partnership with Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division in 2013.

A rich Easterner who has always wanted to live in "the Wild West" plans to move to a Western town. Unknown to him, the town's "wild" days are long gone and it is an orderly and civilized place now. The townsmen, not wanting to lose a rich potential resident, contrive to make over the town to suit the young man's fantasy.

A young man impersonates his best friend, and in doing so upsets the decorum at a stuffy family gathering and falls in love. The arrival of a gang of hoodlums further disrupts the formalities, but our hero thwarts them and saves the day.