Murder in the Pullman

Ann Annington (Minter) writes book reviews for a newspaper and when a reporter fails his assignment to get an interview with the noted author Harold Hargrave (Glass), she undertakes to meet the young man. She rents the room next door to his work shop and by impersonating a maid soon wins his good graces.

After five years of marriage, Mildred comes to the realization that her husband, Lew, is going nowhere in the real estate business. Mildred, however, has managed to squirrel away two thousand dollars from the household budget -- enough to buy a home. But it turns out that Lew needs just that sum to avoid a financial disaster

When his honeymoon is over, Knox Randall shifts his attention from his wife Ailsa to his business. Feeling neglected, Ailsa accepts her sister-in-law Clarissa's advice that a little jealousy might re-ignite her husband's interest. Undertaking a harmless flirtation with playboy Porter Maddox, Ailsa discovers that Clarissa has fallen madly in love with Maddox, who is using her to accumulate confidential information regarding Wall Street secrets. When Ailsa overhears Clarissa making plans to elope with Maddox, she hurries to save her sister-in-law.

"The Stranger," an outcast who works in a saloon frequented by Peggy Bowlin, a poor girl suffering through hard times. She finds romance with Larry Darrant and her life begins to improve. They make plans to wed and leave England, but when a convict assaults Peggy, Larry gets involved and accidentally kills him. The Stranger is arrested for the murder, but he refuses to declare his innocence because he doesn't want to destroy Peggy's happiness.

A ship's captain, believing that his wife has cheated on him, takes their young son and leaves her. he comes back 20 years later. His wife stows away on his ship when he leaves, hoping to see her son, who is aboard. She takes along with her Mary, the daughter of a woman the captain once loved. Complications ensue.

A nobleman seeks to rescue his bride, who has been kidnapped by his former lover and a bandit.

Real-life mother and son entertainers Grace and Peter Lind Hayes star as a mother and her son. She’s a fading Broadway star working as a maid to prep for a possible comeback role and he’s the offspring who wants to follow in mom’s footsteps.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

When an out-of-work Chicagoan travels west as a hobo on a freight train, he finds himself falsely accused of murder.

This 1929 drama about mistaken identities contains three eight minute scenes that involve talking. The rest of the film is silent and subtitled. The trouble begins when the hero follows a pretty lady aboard an ocean liner. He boards the ship using the name of his friend who was supposed to take the cruise for health reasons. The friend was told that if he did not board the boat, he would not receive his inheritance. Unfortunately for the hero, a male nurse believes that he is the sick friend and forces him to stay in the cabin and subsist upon a diet of goat's milk.

A newspaper publisher's daughter is arrested for speeding. In order to avoid embarrassing her father, since his newspaper is in the midst of an anti-speeding campaign, she uses an assumed name. She is paroled into the custody of an assistant district attorney, who doesn't know who she really is.

Artie Shaw and his orchestra perform four popular songs, "Alone Together", "Jeepers Creepers", "Deep Purple", and "Lady Be Good".

Dan Williams leaves his small hometown in disgrace, and travels to New York City to try his luck on Broadway. He gets a small part in a Broadway show, but his press agent releases a story that he has a big part and is making $3,000 a week. Dan's father, a banker who is facing a run on his bank, hears about Dan's sudden "fortune" and asks him for financial help. Complications ensue.

After the suppression of "Let There Be Light" (a documentary about combat-induced post-traumatic stress disorders which presented many inconvenient and demoralizing truths), the U.S. Army Signal Corp created this dramatized up-beat remake of the film. Only this time, the production excluded the involvement of John Houston, the producer of the original documentary.

A cellist is murdered during a symphony concert. Shortly afterwards, the manager of the hall is found dead, an apparent suicide. But is it?

A European prince is raised in America without knowing his true identity; he spends his time thrill-seeking, but his country needs him when a revolt threatens the crown.