Good Manners

The story of a burglary and its tragic aftereffects.

The passing of the years is merciless for everyone. In the film, seven seemingly ordinary characters lead their lives seeking, each one, what they believe brings personal satisfaction. But, even with different and distant lives, they come closer by the way they guide their existence based on worldly concerns.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

Donato fails in his attempt to save a drowning man, and meets one of the man's friends. He decides to start his life over, but pieces of his past keep coming after him.

Natalio Arenas is a hypnotist who can put people into a trance and make them reveal their innermost secrets. But Natalio suffers from insomnia, which hides a secret of his own.

After being a victim of rape within their own home, Diana chooses to keep the trauma secret. Mario, her husband, also has something to hide. The silence takes the couple's account over the day turns gradually into a peculiar form of violence.

After her husband loses his job, Helena opens her own grocery store. Soon, increasingly strange events begin to plague her store, making her question her sanity.

Eastern Cape, South Africa. A lonely factory worker, Xolani, takes time off his job to assist during an annual Xhosa circumcision initiation into manhood. In a remote mountain camp that is off limits to women, young men, painted in white ochre, recuperate as they learn the masculine codes of their culture. In this environment of machismo and aggression, Xolani cares for a defiant initiate from Johannesburg, Kwanda, who quickly learns Xolani's best kept secret, that he is in love with another man.

At Lara's 13th birthday, her mother takes her to a picnic in the park. Everything goes well until the girl disappears, leaving the mother in complete despair.

Isabel is a babysitter pregnant of her own child and can't wait to be a mother. Until she meets Joana.

In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.

A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.

Edgar Wilson, a roadkill collector in rural Brazil, dreams of escaping his small-town existence with Nete, the love of his life. When Nete decides to join her family in an apocalyptic cult, Edgar finds himself at a crossroads. With the world on the brink of destruction, Edgar and his unlikely companion Tomás – a disgraced and excommunicated priest – embark on a dangerous road trip through a landscape plagued by chaos and despair.

After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.

Odete tries to guess where her husband would be hidden. But there is no possible hiding place.