Juliana Rojas

Directing

Juliana Rojas

Born June 23, 1981 · Campinas, State of São Paulo, Brazil (age 45)

Juliana Rojas (Campinas, June 23, 1981) is a Brazilian filmmaker. She graduated in cinema from the School of Communication and Arts of USP. Still in the university met the director Marco Dutra, with whom she initiated a partnership. The two directed together in 2004 the short film O Lençol Branco, selected in the Cinéfondation of the Festival de Cannes. Her first feature, Trabalhar Cansa (2011)…

Known For

Good MannersGood Manners · 2018
Good Manners
6.52018
MovieFantasyHorror
Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana as the nanny for her unborn child. The two women develop a strong bond, but soon Clara discovers a terrifying secret about the child.
PulsationsPulsations · 2012
Pulsations
2012
MovieDocumentary
Director Manoela Ziggiatti seeks what inspires and motivates our lives, depicting intimate encounters with her family and close friends to build a delicate narrative about the meaning of being alive.
Cidade; CampoCidade; Campo · 2024
Cidade; Campo
6.52024
MovieDramaMystery
Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.
Three Shots, Nine ShotsThree Shots, Nine Shots · 1999
Three Shots, Nine Shots
1999
MovieHorror
Buying a book in 3 shots, buying a book in 9 shots. Or: a man finds the right book.
Hard LaborHard Labor · 2011
Hard Labor
6.42011
MovieDramaHorror
After her husband loses his job, Helena opens her own grocery store. Soon, increasingly strange events begin to plague her store, making her question her sanity.
AreiaAreia · 2008
Areia
2008
MovieDrama
All the Dead OnesAll the Dead Ones · 2020
All the Dead Ones
4.62020
MovieDramaHistory
The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.
The Sun Against My EyesThe Sun Against My Eyes · 2014
The Sun Against My Eyes
2.72014
Movie
A man gets home and finds his wife dead. In a silent impulse he takes her body and plunges on the road. This man had never left his hometown, Brasília. When his wife dies, he leaves pushed by this emotional collapse, and submerges the road and it’s fortuity, searching to reconstruct his own reality. She survives in his memory. The road and its environment play an essential part in this man’s process: the landscape and the people, spontaneously. The Sun Against My Eyes follows this trip, from the countryside plateau to the fluminense hills.

Filmography

Sort
Cidade; CampoCidade; Campo · 2024
Cidade; Campo
6.52024
MovieDramaMystery
Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.

Writer