Everybody Dies But Me

A young Russian teacher named Anna reports being raped by her influential friends, sparking a controversial case that exposes the dark pasts of those involved.

The frank conversation of two sisters about their mother against the background of the older sister's daily life.

The odyssey of two brothers aged nine and eleven: house entrances in Strogino, the motherís apartment, a boarding school, a gipsy camp and gloomy homecomings. Dramatic adventures, as in every road movie, teach the protagonists a lot about the world, and for the first time they are pushed off into loneliness and treachery.

9 "A" was an exemplary class, while their class teacher was Nosov Anatoly Germanovich - a strong and experienced teacher, recognized in 2009 as the Teacher of the Year. After his sudden illness, 9 "A" is left without a strong hand. The myth of the exemplary class is crumbling, discipline is cracking at the seams. Nosov's granddaughter, Anya Nosova, is perhaps the most difficult teenager of the school. A new student Ilya Epifanov provokes situations in which students manifest themselves from unexpected sides, turning upside down the usual idea of ​​them as classmates and teachers. None of the teachers want to take on the class, which of the model has become the most difficult.

The story of four young women working in the recruiting agency New recruit their families and relations with men.

The film is a parable about fear; it is a story about the attitudes of a mother and daughter deprived of love, who temporarily find mutual understanding, rallied by fear before the story invented by the mother about a cannibalistic wolf. On a philosophical level it is a reflection on the lost purity of thoughts, which is the main condition for the harmony of human life, and yet another illustration of the proverb: “The sleep of reason produces monsters”

A few summer days of three ordinary Moscow girls on the threshold of adulthood. Farewell to childhood in schoolyards and entrances of sleeping areas, where everything is for the first time and the world is just beginning - from secretly purchased cigarettes and cans with gin and tonic to an adult passport, first love and almost real tragedies.

In present day Moscow three childhood friends in their forties - former school band players - live their everyday lives of a police officer, a taxi driver and a surgeon. They have lost track of each other. Three stories of betrayal, love and ageing are told in parallel. In fact, unknown to our heroes, their paths cross and their lives become connected. But they are not aware of it even when they reunite for a breaking performance at their graduation anniversary.

After the fight with Dagestanis, the novice rapper Bonus, along with his friend, drug addict and drug dealer Gashik, must disappear for several weeks from the home village of Volodarovka, which is located in the Astrakhan region. They decide to go to Moscow, where Gashik will try to become the driver of the businessman’s son, and Bonus - to become a rap artist.

Sasha is a young girl living in a block flat with her family in Moscow. Once she falls in love with Antonin, a bohemian artist and hard drinker. Their short love affair is pulling her down, to the bottom of her subconscious. Overwhelmed with beautiful and frightening visions, she starts to paint - violently, until she can stand on her feet.

Lev Nikolaevich, Levanka, Levochka, as his many friends call him, is a successful, glamorous, Moscow photographer. He's smart, good-natured. And he is an absolutely cynical person who can be rude to people. He lives in a world where talent, success and fame are valued above all else. At the same time, he is very childish, but does not realize this. The childhood fears are still inside him.

WishMaster, Clever Lil, New, Skunk, Fox, Foxy, CatÖ this is a group of people who reckon that their invented life is much more important and real than what their birth held in store for them. They practice a sado-masochism, creating around their passions the romantic image of another world visible only to them. From the position of ordinary citizens they are no more than perverts with mental deviations. And still, who are they? How do they survive in a world that they call ìvanillaî? And why do they use these strange nicknames and carefully chosen, ominous attributes: flogging scourges or latex suits? What do they see in their hobby that we do not see ñ and never shall see, if we limit ourselves by a documentary approach?

What happens when the boundaries between the observer and the subject are obliterated? When love appears not as a polished image, but in the guise of a homeless, drunk, and wounded person whom the world has turned its back on? This is a story about love that refuses to acknowledge the "social gutter". It is about equality that cannot be imposed, but can be experienced. In this film, reality rewrites the script. What was intended as a documentary about volunteers helping the homeless suddenly transforms into a chronicle of an impossible love affair. The film producer falls in love with the protagonist – a homeless man named Edik. The camera captures not only the social drama but an inner revolution which comes at a price. The struggle with addiction, rejection, the lure of the streets, and the fear of being authentic. Yet, against all odds, in this struggle we discern a radical act of recognizing humanity in someone who is usually overlooked.

Valeria Guy Germanica's documentary "Emelianenko", dedicated to MMA fighter Alexander Emelianenko.

Underground dancers — Alice, Arseny, Stepan, Timur, Kirill, Lyosha and Kristina — are engaged in free creativity. They dream of getting recognition, but staying true to themselves. One day they get a chance to turn the game around: take part in a big documentary project and a TV show. Everyone will have to answer the question of why they dance — for the sake of popularity or at the call of their hearts.

Visualization of a Marina Tsvetaeva poem.