Valeriya Gai Germanika

Underground dancers — Alice, Arseny, Stepan, Timur, Kirill, Lyosha and Kristina — are engaged in free creativity. They dream of getting recognition, but staying true to themselves. One day they get a chance to turn the game around: take part in a big documentary project and a TV show. Everyone will have to answer the question of why they dance — for the sake of popularity or at the call of their hearts.

What happens when the boundaries between the observer and the subject are obliterated? When love appears not as a polished image, but in the guise of a homeless, drunk, and wounded person whom the world has turned its back on? This is a story about love that refuses to acknowledge the "social gutter". It is about equality that cannot be imposed, but can be experienced. In this film, reality rewrites the script. What was intended as a documentary about volunteers helping the homeless suddenly transforms into a chronicle of an impossible love affair. The film producer falls in love with the protagonist – a homeless man named Edik. The camera captures not only the social drama but an inner revolution which comes at a price. The struggle with addiction, rejection, the lure of the streets, and the fear of being authentic. Yet, against all odds, in this struggle we discern a radical act of recognizing humanity in someone who is usually overlooked.

One Monday morning Katya, Vika and Zhanna learn that there will be a school disco, their first disco, on the coming Saturday night. The girls feverishly start preparing for the event, which rapidly becomes the most important moment ever in their universe, and looks like the ideal way to escape their daily lives...

Valeria Guy Germanica's documentary "Emelianenko", dedicated to MMA fighter Alexander Emelianenko.

The frank conversation of two sisters about their mother against the background of the older sister's daily life.

WishMaster, Clever Lil, New, Skunk, Fox, Foxy, CatÖ this is a group of people who reckon that their invented life is much more important and real than what their birth held in store for them. They practice a sado-masochism, creating around their passions the romantic image of another world visible only to them. From the position of ordinary citizens they are no more than perverts with mental deviations. And still, who are they? How do they survive in a world that they call ìvanillaî? And why do they use these strange nicknames and carefully chosen, ominous attributes: flogging scourges or latex suits? What do they see in their hobby that we do not see ñ and never shall see, if we limit ourselves by a documentary approach?

End of days is already here - you just didn't notice...

The father of the Director Valeria Gai Germanica, the 91-year-old Alexander Brown, is deeply saddened by the death of his beloved wife. He goes on a summer trip together with the family of his daughter. Together they fly to the sea, and little by little the trip to Italy and Greece takes on the dimensions of an ancient tragedy: mortal danger and miraculous salvation, difficulties in translation and conflicts between generations. Human life turns out to be a journey full of emotions that can hardly be borne.