Aashiq

Namumkin is a 1988 Bollywood mystery film, telling the story of an Asian family exiled from Idi Amin's Uganda.

Dedicated to the memory of the great singers K. L. Saigal and Mukesh, this charming and unpretentious film offers a palate-cleansing change from the spicy “masala” epics that dominated its era, and features their superstar Amitabh Bachchan in a decidedly offbeat role.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

After falling for a cunning landlord’s scheme, a farmer (Balraj Sahni) and his young son (Ratan Kumar) travel to Calcutta in search of work to save money and reclaim their ancestral land.

Shekhar is new to the block and it doesn't take long before the street noise and the children playing nearby push his tolerance to the limit. To the rescue comes Mili, who has the exact opposite disposition. While Shekhar may be at a loss over what to do with her at first, he eventually falls in love.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

Inder, a contractor who believes in the power of money, places a bet with his friend Prakash to woo Rama, a simple girl. Rama is charmed by Inder but an event forces her to leave the city.

After her husband's death, Manorama is left alone with an infant daughter. The daughter falls ill due to poor nutrition, and in an act of desperation Manorama leaves the daughter in front of the house of Seth Jagatnarayan Chaudhary, a wealthy man who, having recently lost his wife, decides to adopt the girl. The following day, Manorama manages to get a job in the house as a servant but while she gets to care for Sarita like a mother, she longs for a day when her daughter might call her mom. Meanwhile Sarita grows up to be a beautiful girl who soon finds herself in some romantic entanglements.

Follows Satyapriya Acharya, an idealistic young engineer raised on strict moral principles, who enters post-Independence India determined to live by truth and integrity despite the corruption around him. He marries Ranjana, a woman carrying a painful past, and his compassionate decision to stand by her deepens both his personal struggles and his moral resolve. As professional setbacks, social pressures, and family responsibilities mount, Satyapriya’s unwavering honesty tests the limits of his ideals and the cost of living truthfully in a compromised world.

A head injury causes a woman to regress to childhood. Lost and confused, she is eventually befriended by a school teacher. A Hindi remake of the 1982 film "Moondram Pirai" by the same team.

Sulekha is in awe of her brother-in-law Raghavendra for his intelligence. Parimal, her husband, decides to take up the challenge of fooling Raghavendra and goes to work for him as a driver.

Desperate for a cook, the disgruntled Sharmas are relieved when a multi-talented man, Raghu, takes up the job. However, when all seems well, the family jewels disappear and so does Raghu.

Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.

The stories of three sets of people, linked by their connection to an old suburban house in Calcutta- An orphaned young woman who desperately wants her husband to make up with his estranged parents so that she may belong to a family once more, a wayward young man desperate to find a job to support his aged father and his widowed sister-in-law, and a shadowy neighbourhood ‘madman’

Bipinchandra breaks family tradition by marrying a city girl, Hemangini, much to the chagrin of his sister-in-law, Kadambini, and her husband, Navinchandra. Things are delicate even after both women give birth to two children each. Then Hemangini testifies against Navinchandra in Court, leading to the division of the property. Things got worse by the arrival of Kadambini's orphaned school-going step-brother, Kishan, who is beaten and abused by not only by Kadambini and Navinchandra, but also by their overweight son. When Hemangini objects to Kishan's ill-treatment, Bipin takes the side of the rest of the family, and may probably force her to abandon Kishan to his fate or divorce her.

An impoverished employee tries to prevent his superiors and employers from marrying his sweetheart.